About Elly


Drama / Mystery / Thriller

IMDb Rating 8 10 41,428


Downloaded times
May 12, 2020



Peyman Moaadi as Peyman
720p.BLU 1080p.BLU
1.06 GB
Persian 2.0
23.976 fps
119 min
P/S N/A / N/A
1.97 GB
Persian 2.0
23.976 fps
119 min
P/S N/A / N/A

Movie Reviews

Reviewed by corrosion-2 9 / 10 / 10

All About Elly

With Chaharshanbe-Soori (Fireworks Wednesday) and now Darbareye Elly (About Elly), Asghar Farhadi has shot right to the top and joined an elite club of Iranian film makers, such as Kiarostami, Majidi and Mehrjui, whose films are appreciated worldwide. Farhadi's films are truly world class and full of nuances and deft touches not usually found in Iranian movies. About Elly starts deceptively simple. A group of married couples, some with children, have come to a seaside town for a short break. The only single people in the group are Ahmad (Shahab Hosseini) who has recently separated from his German wife and Elly (Taraneh Alidoosti) who is a nursery teacher to Sepideh (Golshifteh Farahani)'s child. Sepideh has organized the whole trip, as well as playing matchmaker to Ahmad and Elly. The film really takes off when, in an apparent attempt to rescue one of the children from drowning, Elly disappears. Was she drowned? Did she just leave because she was embarrassed by the group's snide remarks about her and Ahmad? There are echoes of Antonioni's L'Aventura here but there is a big difference between the two films. Wheras in L'Aventura the missing girl quickly became forgotten by the group, here Elly becomes center of attention. The group realize how little they knew her; they don't even know her full name (Elly is a shortened version of several names). The questions keep surfacing: who was Elly and why did she agree to accompany a group of relative strangers for a few days in another town? (something highly uncommon for a single girl in Iran). About Elly is a worthy follow up to Farhadi's Chaharshanbe-Soori (Fireworks Wednesday). Again, as in that movie, Farhadi examines the consequences of lies and deceptions. He shows that even mundane lies of convenience, if piled on top of one another, can lead to unforeseen events. In addition to his insightful scripts, Farhadi clearly has an ability to draw top notch, and often career best, performances from his cast. All the actors here are superb but special mention must go to Golshifteh Farahani, Shahab Hosseini and Saber Abar. Like Chaharshanbe-Soori, About Elly demands and repays several viewings.

Reviewed by mahsaee 10 / 10 / 10

a non forgettable piece of work

You can't breathe, you can not even shout, you can not cry, you'll be just stay fascinated till the end and the final music is just as fantastic as the whole movie itself; The roles are played by some of the best actors and actresses of Iran, who actually LIVE the roles and you just get engaged with everything that's going on there as if you are one of them; I loved it so much; Thanks to Asghar Farhadi for always making us such good movies; I do recommend everyone to see this if the haven't yet; I'm gonna see it again for sure....... I really love the scene where the sound of Eli gets mixed with the cruel sound of Sea which really makes you nervous; gives some notices about the upcoming events;

Reviewed by arianaa30 10 / 10 / 10

A new genre of movies... NICE FILM...thumbs up

Based on my opinion, this movie was even better that A Saparation, an award winning Farhadi's film. Farhadi proves adept at controlling the tone of his film. By slowly setting up the situation and the complex nexus of relationships between the characters, he lulls the audience into thinking the film will continue in a comic mode until Elly's disappearance. From then on, the film takes a serious tone. Lies come back to haunt the characters, and the consequences of these are unforgiving. Some of these lies were told due to particular proprieties necessary within Iranian society. The brilliance of Farhadi's script and direction becomes most apparent in the latter stages of the film. As one secret after another is revealed, Farhadi deftly maps out the shifts in the perceptions and behaviour of the characters toward each other as well as the viewer's perception of the characters. Farhadi's cast is uniformly excellent, especially Farahani, who compellingly registers Sepideh's shock at how her seemingly innocent matchmaking has taken such a tragic turn, as well as the way her character, like others in the film, is revealed to not be what it initially appears.

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