Bad Timing


Drama / Mystery / Thriller

IMDb Rating 7 10 6,927


Downloaded 74,757 times
April 16, 2019



Denholm Elliott as Fl. Lt. McKenzie
Harvey Keitel as Jerry
Theresa Russell as Marie Davenport
William Hootkins as John Carpenter
720p.BLU 1080p.BLU
867.82 MB
23.976 fps
123 min
P/S N/A / N/A
1.84 GB
23.976 fps
123 min
P/S N/A / N/A

Movie Reviews

Reviewed by FrostyChud 9 / 10 / 10

My Life

I've just returned after seeing this movie and it has messed your dude up. This was my life for the two years I spent with my Milena. The parallels are uncanny. I am kind of nerdy just like Garfunkel...same pathetic physique...but like Garfunkel I have a certain magnetism. Garfunkel's not exactly a wimp...there's some steel in his gaze. My Milena was just as magnetic and beautiful as Theresa Russell...really. My Milena also lived in a sordid, messy, sexy aerie with a big bed, overfull ashtrays, half-read books everywhere. The alcohol? Check. The infidelity? Check. The suicide attempts? Check. The much older other man? Check. The sleazy, disgusting party friends? Check. The late-night drunk calls that may or may not have been suicide attempts? Check. The intense sex that regularly turned into something twisted? Check. Just like Garfunkel I was hooked...just like Garfunkel I had a "together" God, I even study psychoanalysis...and just like Garfunkel there was more than a hint of bad faith in the togetherness I opposed to my Milena's sloppiness. Like Garfunkel, the idea that Milena had other lovers made me Theresa Russell, my Milena needed secrets...lies...she couldn't breathe without her lies and secrets. The scene where she sets Garfunkel up with her fake suicide attempt only to loose the full force of her hysterical cruelty on him...check...down to the blows and the broken bottles...and it marked the moment our love died, even if things dribbled on for a while after that. get the picture. You know a movie is good when it shows you things about YOUR OWN life that you hadn't noticed before. That's the secret of a great movie: you feel like it's talking to you and to you alone. I have a feeling I'm not the only person who walked out of the cinema feeling like he had just seen his own life on the screen. Almost everything is perfect. This film is even more disturbing than DON'T LOOK NOW. That is saying a lot. The one wrong note for me was Harvey Keitel. I liked the contrast of his healthy virility with Garfunkel's nerdiness...but Keitel got something wrong. Not sure was certainly a tricky role, and he wasn't exactly bad, but something was wrong.

Reviewed by IanIndependent 8 / 10 / 10

Doesn't Date

I saw this originally sometime in the mid eighties and thought it was good. Now I appreciate it as a modern great. It doesn't date at all despite Garfunkle's hair and suits. Roeg tells a fairly simple story about complex emotions effecting complicated people and is well served by it's main protagonists and the actors he tasked to play them. The film is well paced and shown in non-linear interludes holding the viewer suspended, picking sides in a relationship and wondering about the consequences which are not fully revealed until the end. The style is typical of the director but that is no bad thing and if you want your cinema provocative and intelligently emotional this is a film you will want to see.

Reviewed by lasttimeisaw 8 / 10 / 10

a well-accomplished, counter-cultural, innately candid examination on modern relationship and sex philosophy

Nicolas Roeg's little-circulated relationship dissertation between an American psychiatrist Alex Linden (Garfunkel) and a young American woman Milena (Russell) in Cold War Vienna has an uncanny and scandalizing paralleled real life happening befalls on its leading actor Art Garfunkel. After its glittering opening sequences of a Gustav Klimt's exhibition, the film starts with an unconscious Milena rushed to the hospital in the middle of the night accompanied by Alex in the ambulance, ostensibly from an overdose, and in reality, during the film's shooting, Garfunkel's then girlfriend Laurie Bird, committed suicide by taking an overdose of Valium in New York, aged 26. With that hindsight, one is prone to understand Garfunkel's sometimes perversely surly and tangibly perturbed state when facing off with either a barnstorming Russell or a probing Harvey Keitel, who plays Inspector Netusil, exerts himself in teasing out the truth out of a buttoned-up Alex, as the film's title refers, the timing of Alex's recount about the incident doesn't comply with the physical facts (car radio, Milena's state, etc.). Predominantly, Roeg expertly expounds Alex and Milena's torrid affair by punctuating its aftermath story-line with stacks of flashback in a random arrangement, from the starting point when Milena says farewell to her much older Czech husband Stefan Vognic (Elliott) in the Czech/Austria border, to the pair's encounter, dating, a Northern Africa vacation (prompts Alex's proposal of marriage), to the toxic disintegration due to their incongruity (Lüscher's color test Vs. Paul Bowles' The Sheltering Sky, are the obvious visual pointers). It seems that it is Alex who breaches his work ethic to strike the romance with his client in the first place, then we are repeatedly subjected to the disappointment of Alex's incompetency of his own profession, his botched attempt to understand a freewheeling Milena's psychological status, which can be encapsulated in one sentence (I'm paraphrasing here) "to love a woman tremendously, to love her more than one's own dignity", a pitfall hounds most men in our patriarchal society. But meanwhile, Roeg and screenwriter Yale Udoff also show up the mercurial side of Milena's persona, she professes to be a free-spirited soul, morally unattached, physically liberated, but more often than not, she is the one who backslides into pestering Alex after their breakup, which trenchantly confounds that very statement. It is a self-destructive game which takes two to tango, a woman's congenital insecurity meets a man's unrelieved self-regard, that's what Roeg rams home to us albeit his very distracting M.O. Honestly, it is a mind-bending journey, strewn with zeitgeist reflecting tunes (Billie Holiday, Tom Waits, The Who and counting), where the two leads engaging in graphic sexual acts (and they are nowhere near aesthetically pretty), or exchanging their thoughts in soft-focus treatment. Meantime, the apparently persisting investigation from Netusil, eventually reaches its lurid conclusion without ever sweetening the pills, it nails the psychological nitty-gritty in the face of its morally repugnant revelation. BAD TIMING, a pertinent name for its own ill-fated reception upon its release, is a well- accomplished, counter-cultural, innately honest examination on the caprice, intransigence, and ambivalence of modern relationship and sex philosophy, powered by strong performances, in particular, a spontaneously ravishing Theresa Russell.

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