Best in Show

2000

Comedy

121
Rotten Tomatoes Critics - Certified Fresh 94%
Rotten Tomatoes Audience - Upright 89%
IMDb Rating 7.4 10 54,641

Synopsis


Downloaded times
September 26, 2020

Cast

Catherine O'Hara as Cookie Fleck
Christopher Guest as Harlan Pepper
Jennifer Coolidge as White Bitch
Parker Posey as Meg Swan
720p.BLU 1080p.BLU
828.7 MB
1280*720
English 2.0
PG-13
23.976 fps
90 min
P/S N/A / N/A
1.66 GB
1920×1080
English 2.0
PG-13
23.976 fps
90 min
P/S N/A / N/A

Movie Reviews

Reviewed by Fincher-3 8 / 10 / 10

"Best In Show" indeed

I'll admit that I've never seen "Waiting for Guffman", 1997's critically acclaimed comedy mockumentary about a small town thats that stages a pageant. When the advertising for Best in Show had the tagline "From the Team That Brought You Waiting for Guffman", a fair number of critics out there implied in their reviews that only people that are familiar with the film or its filmmakers and cast would have a good time seeing this film. For shame, critics, for shame times two! Any critic that implies something like that with any film probably doesn't want to share the film's wealth with the rest of the world, but this is one film that I hope people will experience, now that its video/dvd. "Best in Show" is, without a doubt, the best comedy of 2000. The film begins with a mockumentary style, introducing the main competitors (not to mention screwballs) of the annual Mayflower "Best In Show" competition, where dogs of all breeds come to compete to see who is the top dog. We have the loveable and gullable Harry Pepper (Guest) with his bloodhound, the simple Gerry & Cookie Fleck (Levy & O'Hara) with their terriors, nut-case yuppies Hamilton & Meg Swan (Hitchcock & Posey), the gay dog groomers Scott Dolan & Stefan Vanderhoof (Higgins & McKean), and the airheaded millionare Sheri Ann Ward Cabot (Coolidge) along with her trainer Christy Cummings (Lynch). They all have their minds on one simple object: The Blue Ribbon, which will be awarded to the best dog. And...do I have to tell you the rest? Director/writer/star Guest's idea of humor is one that assures me that there are comedies out there that are worth laughing at, and that the idiocy of films like "American Pie" or other pointless "teenage" flicks won't take over the world after all. His idea is simple: make your comedy not just funny, but SMART funny. But instead of following in the brilliant footsteps of films like "Zero Effect" and "High Fidelity", he used a rather unusual approach (and as I understand, he also used this approach for "Guffman"). Whether you notice or not, a very large part of the film is improvisation. In other words, what the actors say and do were probably not written in the script, maybe even not even dreamed of by Guest and co-writer/star Levy. But with a gentle hand from Guest, he and the actors pulled off a hilarious theatrical feat that probably would have flopped if handled by other, less adept actors. Now that's smart! The cast is, of course, what makes improv work the most. All of them are a (comedic) marvel to behold, especially Guest as Pepper. But the real standout has to be Fred Williard as Buck Laughlin, the clueless announcer at the competition who can spin out the most outrageously funny stories and comments that no announcer would even dream of...that is, if the announcer was trying to be funny. Williard can go from talking about the dog to suddenly going on and on about how much he can bench press. There's even a part were he gives out an idea for a new marketing strategy: have sexy women pose in tight shirts and shorts with the dogs and imply something like "have a doggie-style of a time". Its priceless, as is his performance. I hope that people engage in this 90-minute "dogumentary". The film deserves so much recognition. It did get nominated for Best Picture-Comedy at the Golden Globes, but didn't win. I can't see why. I mean, in the comedy department, it is best in show. GRADE: A

Reviewed by sideburnmikeguitar 10 / 10 / 10

ONe of the funniest movies ever

This is the only Christopher Guest movie that rivals Spinal Tap and Princess Bride for sheer entertainment value, but somehow never gets near the recognition. The plot surrounds the contestants--dogs--and their owners as they venture into the world of competitive dog...OK, it's about a dog show. The owners truly are characters, as one would have to be to be so attached to their dogs. That's really all there is to it, but that makes it funny enough. You'd never be able to convince me that a mock-u-mentary about dog shows would be funny prior to catching the hilarious scene where Levy and O'hara visit Larry Miller's house on TV...but that's really all it takes to convert any doubters. Spinal Tap was non-stop hilarity, joke after joke whereas Best in Show was had a few more lulls (and by that I mean say 3 minute at MOST where something riotously funny doesn't happen), but the big laughs are even bigger. The casting in this one is great and even the typically out of place in, uh movies in general Parker Posey does a fine job. In fact, her tirade directed at Ed Begley Jr. and a pet store owner over a lost dog toy is probably the funniest running gag of the film. What's amazing about this movie to me is how the writers somehow managed to weave a plot, simple as it was, around these great jokes so that it actually felt like it had direction. I guess there's a freedom in having such a minimal plot. Everyone's role is pretty well crafted here and the characters are rarely over-the-top. The realism of how pathetic they seem to the outsider is what makes it funnier than Mighty Wind or the uneven Guffman. I actually encounter wierdos like this now and then. If you like Guest's stuff at all, you should definitely own this one.

Reviewed by honkus 10 / 10 / 10

As good as Spinal Tap

This is the funniest movie I have ever seen. However, I have laughed harder at plenty of movies. This is because Best In Show's brilliance lies not in slapstick or one-liners, but in sophisticated and layered verbal wit. The improvised dialogue is is so quick that you end up laughing not at each individual joke, but only until after several jokes build on one another, each disarming your senses until the jokes climax and you can't help letting loose. It's a well-shot film, but what makes it extraordinary is the acting. I was impressed on my first viewing, but when I watched it after having learned that virtually every scene is improvised, I was amazed. It was thoroughly enjoyable to see the comedians work off each other, build jokes out of nothing, and completely immerse themselves in their characters. I imagine the golden days of Second City were like this.

Read more IMDb reviews

0 Comments

Be the first to leave a comment