Black Orpheus


Drama / Fantasy / Music / Romance

IMDb Rating 7.5 10 9,638


Downloaded times
September 11, 2020



720p.BLU 1080p.BLU
991.21 MB
Portuguese 2.0
23.976 fps
100 min
P/S N/A / N/A
1.8 GB
Portuguese 2.0
23.976 fps
100 min
P/S N/A / N/A

Movie Reviews

Reviewed by marissas75 8 / 10 / 10

Rio de Janeiro, where myths become real

If it does nothing else, seeing "Black Orpheus" will make you want to pack up immediately and go to Rio de Janeiro. The movie convinces you that the city's sparkling harbor and dramatic green hills must be one of the most beautiful landscapes on earth, especially when accompanied by a soundtrack of energetic samba and smooth bossa nova music. The cliffside shantytowns teem with vitality, and are never too poor to rig up an elaborately costumed samba show for Carnival. Even the fact that the movie retells a tragic Greek myth barely detracts from the overall effect. It makes Rio seem even more magical, a place where archetypal stories of love and death still hold their power. In this version, Orfeu (Breno Mello) is a streetcar conductor who moonlights as a musician, and Eurydice (Marpessa Dawn) is an innocent country girl. The movie starts as a simple love triangle (Orfeu has an inconvenient fiancée) but becomes increasingly surreal as it progresses. Death, represented by a man in a skeleton suit, literally pursues Eurydice while going unnoticed by everyone else, who may assume he is just dressed up for Carnival. (His motivations are never explained, but perhaps he is jealous of Eurydice's youth and beauty.) The movie finds clever ways to depict the events of the original legend, and adds a wonderful sense of atmosphere, as Orfeu goes through the "underworld" in the middle of the night. Lourdes de Oliveira and Léa Garcia give vivid supporting performances, as, respectively, Orfeu's jealous fiancée and Eurydice's exuberant cousin. I also liked the two scrappy, unsentimental street kids who idolize Orfeu. Overall, "Black Orpheus" is a successful attempt to place a Greek myth in a modern context, retaining the story's original tragedy while adding new, contrasting flavors and rhythms. I would especially recommend it to fans of Baz Luhrmann's "Moulin Rouge," another color- and-music-saturated film with a love story inspired by the Orpheus legend.

Reviewed by DeeNine-2 8 / 10 / 10

One of the classics of world cinema

Do they clean the streets in Rio De Janeiro? Well, of course they do. When this carnival is over. And if you watch this movie you will see that they do it very near the end of the last reel, as in the morning when the truck comes round spraying water, just one of a thousand little details that director Marcel Camus got right, and one of the most insignificant. But it is from a multiplicity of detail that an edifice of cinematic genius is constructed. The true brilliance of Black Orpheus lies in the people who live on the side of the cliffs overlooking the harbor at Rio. It is their energy that prevails. Then there is the color, the costumes, the pounding rhythms, the spectacular vitality of life that is depicted as a carnival of dance and song in which we are driven along as on a wave. And yet there is the constant reality of death. And it strikes in way we cannot comprehend, fatalistically, and we are helpless to do anything about it. And then Orpheus sings, a new Orpheus perhaps, and the sun rises again, and a little girl in white, looking like Eurydice in miniature, begins to dance as the little boy Orpheus plays his guitar, telling us that time has come round again. Well, that's the plot as adapted by screen writer Jacques Voit from the play by Vinicius d Moraes as divined from the Greek mythology. Supporting this arresting conception is the music by Antonio Carlos Jobim and Luis Bonfa. I recall the former as the composer of bossanova who gave us "The Girl from Ipanema" and made the samba international. Starring in the title role as the streetcar conductor who is loved by all is Beno Melo, who might be seen as the natural man and native of paradise. The very pretty Marpessa Dawn plays Eurydice, an innocent from the country who falls in love with Orpheus and his song. Lourdes de Oliveira plays his intended, Mira who is hot blooded, vital and beautifully ordinary. But the actress I recall most vividly from the time I first saw this in the sixties was Léa Garcia who played Serafina. Her exuberance and comedic flair struck me as something completely different from anybody I had ever seen before. And then there are the boys who follow Orpheus around and emulate his every move. With their torn shirts and unflagging optimism, they represent the new day that will dawn. If you haven't seen this classic of world cinema, you are in for a singular experience. There is nothing else like it that I know of. And it is as fresh today as when it was made almost half a century ago. (Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)

Reviewed by jotix100 8 / 10 / 10

Orpheus and Eurydice

If there is a film that deserves to be restored, "Orfeu Negro", seems to be a logical choice. Judging by the copy we recently saw at New York's Film Forum, it shows how the Eastmancolor in which it was photographed, has faded. This is a film that is about color as seen in that photogenic city that is Rio de Janeiro, with its infinite cacophony of colors and sexuality at the time of carnival. Vinicius de Moraes play, "Orfeu do Carnaval", served as the basis of inspiration for French director Marcel Camus and his co-writer, Jacques Viot, for the movie. Mr. Moraes adapted the Greek tragedy and transplanted it to Rio at the time of carnival. Nowhere in the world do people live just for those precious days of the year where everyone goes crazy during the annual ritual. The tragedy of Orpheus and Eurydice plays well against that backdrop. Orfeu, a tram conductor meets and falls in love with the beautiful an sweet Eurydice. Their love is doomed from the start because Orfeu has promised Mira he will marry her. They are seen prior to the fateful meeting going to register for a marriage license. Eurydice has a premonition that something will happen to her as a man dressed in a death costume and mask keeps following her, and at one point, he promises the young woman, he will return for her. In the meantime, Orfeu and Eurydice realize they are meant for one another. During the parade, Serafina, Eurydice's cousin exchanges places with her so she can stay home with the merchant marine boyfriend who has just arrived. Mira realizes the deceit and fights with Eurydice, who flees in horror, only to be follow by the Death figure. "Orfeu Negro" relied on unknowns for the main characters. The handsome Bruno Mello and the gorgeous Marpessa Dawn play the doomed lovers with conviction. Jean Bourgoin's camera loved them and they are photographed against the colors of the carnival and Rio. Lourdes Oliveira and Lea Garcia have good moments as Mira and Serafina, respectively and Jorge DosSantos is a natural as Chico. The other best thing in the film is the fabulous music by Luiz Bonfa, and Antonio Carlos Jobim. The songs and the music we hear in the soundtrack proved these two men were on the way to establish themselves as the best composers and in the case of Mr. Jobim, interpreter of their creations which will culminate with the triumph of the Bossa Nova period that was produced in Brazil at the time. Marcel Camus, ultimately, is the man to be congratulated because of his vision in finding beauty even in the favelas where most of the action takes place in capturing the color and sensuality of Rio de Janeiro during carnival.

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