Bright Lights, Big City

1988

Drama

47
Rotten Tomatoes Critics - Certified Fresh 63%
IMDb Rating 5.7 10 6,650

Synopsis


Downloaded 8,383 times
April 2, 2019

Director

Cast

Kelly Lynch as Luanne
Michael J. Fox as Brantley Foster / Carlton Whitfield
Phoebe Cates as Joey's Girl at Disco
720p.BLU 1080p.BLU
940.56 MB
1280*720
English
NR
23.976 fps
107 min
P/S N/A / N/A
1.74 GB
1920×1080
English
NR
23.976 fps
107 min
P/S N/A / N/A

Movie Reviews

Reviewed by culwin 7 / 10 / 10

Under-rated

This is a good, although not great, movie that often gets a lower rating than it deserves. All the actors fill their roles perfectly, especially Keifer Sutherland. The problem is it occasionally tries to be funny (or something?), which doesn't mesh with the rest of the film. Two guys getting attacked by a ferret is not very funny anyhow, unless they are Bill Murray and Jim Carrey. Ignore the parts that try to be funny and you will find this movie much more enjoyable.

Reviewed by Ralphus2 5 / 10 / 10

Time Capsule Theater

I won't bother with recounting the plot--plenty of others here have done that--but I will give some thoughts from the perspective of a 40-something who remembers fondly the movie and the times from whence it came. I remember hating this movie when I first saw it back in the day. I'd read half the novel and hated that too. My main memory of both of them, oddly enough, was the Coma Baby. It features heavily in the book but somewhat less so in the movie. Watching it again so many years later and so many years out from the 80s, I was surprised to find myself enjoying it. Perhaps it was a nostalgia thing. My mind was certainly flooding with associated memories. 1988 was the year I finished high school. I was soon to leave my little red-neck country town and move to the big smoke where a whole new life would begin (and there have been at least three more since then!). Some positives: I'm a huge Donald Fagen/Steely Dan fan, so Fagen's soundtrack was appreciated. It doesn't really sound like his regular stuff (until the very end), and was, frankly, often quite cheesy and even out of place at times. But I convinced myself I liked it. Other Fagen fans may also. The movie really grabs the 80s very effectively. Nightclubs, hair, blow, the whole bit. There is a surprising appearance from the wonderful Jason Robards which, shamefully, is uncredited according to IMDb. Considering the size of his role this is kind of odd. Negatives: Phoebe Cates seemed completely unconvincing as a model and Michael J. Fox was completely unconvincing as a...sorry, but, hey...as a grown-up. He's never really any different from how he was in Back to the Future or even Family Ties. He's still all got up in jeans and a suit jacket, skipping all over the place, and gulping, "Shucks" (at least seemingly). No disrespect to the guy. Just that this movie reminds that he was never so well suited to anything with pretensions to being serious. And that last point sums up the problems with this film: it eventually becomes apparent that the movie is trying to be taken seriously. It just doesn't work though. A pretentious novel as starting place doesn't help. Ham acting and cheese dialog don't help none neither. Still, an enjoyable time capsule. Kiefer does OK as wise-a** friend. The wonderful Frances Sternhagen, an appearance from the then-soon-to-be-late John Houseman, and even the magnificent William Hickey. Tracy Pollan is gorgeous and Swoosie Kurtz is her usual charming self. The ending is quite poignant, featuring Dianne Wiest, but isn't enough to really justify getting there. If you're 40-something, watch this with ice cream and snacks on a lazy weekday evening. If you're younger or older than that...probably don't bother, coz it ain't really that great.

Reviewed by Karl Self 5 / 10 / 10

The Secret Of My Succe$s's evil twin

You have to leave it to Michael J.: no-one looks better harried in a casual suit than he. That artfully ruffled hair is just the shizzle. Even when he's been boozing and snorting lines all night, he looks like the picture of life. Here he's teamed up with Kiefer Sutherland, the second best-looking guy in a ruffled suit, and all seems to be set for a zany, New-York-in-the-Eighties comedy along the lines of Fox's previous The Secret Of My Succe$s. Only that they decided to make a dire "serious" movie instead, probably to allow Fox to work beyond the comedy genre for a change. So Fox plays the young would-be writer of the Great American Novel who struggles with: *the death of his mother a year ago *being left by his model wife (meaning they're married and she works as a model -- everyone did in the Eighties) for a swanky French fashion photographer *having to work as a fact checker for a The New Yorker-type magazine instead of being recognised as a literary maven *New York City *partying too hard, taking too much coke and hanging around models with earrings the size of dinner plates too much Here's how the story went down with me: the main character and his entourage live the affluent life of New Yorker young urban professionals that everybody dreamed about in the Eighties. Our hero Jamie Conway has a well-paying job in the media, but he whines because he'd rather be an author. It's sad that his wife left him, but he handles it so immaturely that you begin to feel that she made the right choice. The dead mother in Kansas seems to be thrown in gratuitously to add ballast. The other women in this movie are so stereotypical (the motherly type, lots of club-going fashion skanks and finally the homely girl who goes to bed at ten under a large frilly duvet) that I garnered even more sympathies for the cheating wife. I couldn't buy into the whole coke fiend schtick because Michael J. Fox just looks so damn perky and apple-cheeked all the time. Finally the ending: Jamie meets his estranged wife at a party, starts laughing hysterically, then his nose starts to bleed from doing all those lines. He then decides to call that homely girl, whines to her about his mother, and sorta decides that he's through with all those modern women and that she's what he needs. He then goes out into the New York morning and trades a loaf of bread for his sunglasses. Credits. The story reminded me in many ways of The Catcher In The Rye -- only that TCITR a good, captivating book, while BRBC is a boring film. Maybe the book it was based on was much better, but it just didn't translate well to film, or maybe it was crap too.

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