Central Station

1998

Drama

79
IMDb Rating 7.9 10 32,922

Synopsis


Downloaded 12,827 times
October 15, 2019

Director

Cast

720p.BLU 1080p.BLU
989.27 MB
1280*720
Portuguese
NR
23.976 fps
113 min
P/S N/A / N/A
1.74 GB
1920×1080
Portuguese
NR
23.976 fps
113 min
P/S N/A / N/A

Movie Reviews

Reviewed by rbverhoef 8 / 10 / 10

Sad and beautiful

'Central do Brasil' is basically a road movie about a boy Josué (Vinícius de Oliveira) who just lost his mother searching for his father. He does this with the help of Dora (Fernanda Montenegro). She writes letters for illiterate people in the central station of Rio de Janeiro. Dora has a secret, she doesn't mail the letters. She knows Josué because he and his mother used to write letters to Josué's father and when his mother dies she takes care of him, although she has other intentions at first. The movie is mainly about the relationship between the boy and the woman. Of course they meet people on the road. Especially the part where they travel with a truck driver is very good. We also see a little of the life in Brazil. This is a movie with a good story that is very well directed. The acting is terrific. Montenegra as the older woman and especially De Oliveira as the boy is very good.

Reviewed by jotix100 10 / 10 / 10

On the road

This film, which we watched at the Vancouver Film Festival years ago, turned up the other night on cable. On second viewing, the film still packs quite an impact, as it still feels real. The work of Walter Salles and Fernanda Montenegro was amazing then, and still is now. This is the story about a cynic and jaded woman who resorts to do menial work and who is a small con artist herself. Dora has seen better days. She is retired now, but in order to make ends meet, she sets a letter writing desk at Rio's train station where she writes letters dictated to her by the illiterate and eager people who can't do the job as they want to communicate with distant family and friends through Dona Dora. In many cases, as it's the case with the letter she has written for Ana, she has no intention of ever sending those missives dictated to her by the unsuspecting people. Josue, the small boy, who witness the death of his mother, is wiser for his younger years than one might suspect. He sees right through Dora as a charlatan and a con woman. When Dora takes the boy home, she has no intentions of ever helping him much more than a few days. Later, upon learning about the adoption agency, she sells the boy to the unscrupulous people involved in the traffic of children for a thousand dollars without any problems. It's only when her friend Irene tells her the fate that Josue will encounter, that Dora leaps into action. Since she can't stay home without having to return her money, she takes Josue on the road. This odd couple begins the journey as complete strangers, but this voyage will make them appreciate one another and even move Dora into becoming a better woman for having the courage to do the right thing. Josue also realizes that Dora, in her own way, has been, for however short, the mother he lost in the tragic accident. Fernanda Montenegro, perhaps Brazil's best actress, is amazing as Dona Dora. She is the whole reason for seeing the movie. Her Dora is one of the best creations in her film career. This intense performer shows an actress who fully understand who Dora is and the way she would behave in the situation. Young Vinicius Oliveira is a sweet Josue, and Marilia Pera, is the kind Irene, who makes Dora see the monstrosity of what she was about to do. The music by Jacques Morelembaum and Antonio Pinto is an asset, as it adds an atmosphere to the long journey of Dora and Josue. The interesting cinematography by Walter Carvalho, shows the immensity of Brazil's interior as the odd couple go to find the little boy's father. This film is a triumph for both Walter Salles and Fernanda Montenegro.

Reviewed by benoit-3 10 / 10 / 10

This film explains how Hollywood has lost touch with reality

It took me 10 years to learn of this film's existence. I'm very sorry I wasn't paying more attention. It came out at a time when I had pretty much given up on films in general and Hollywood films in particular. How was I to know that somewhere in the world a courageous director chose to film a story that didn't involve sex, comic-book sadistic or crime-glorifying violence, fake superheroics or CGI-augmented horror? How was I to know that not all Latin directors were involved in a world of idiotic and heartless self-centered proto-fascistic make-believe like, say, Guillermo Del Toro? How was I to know that Brazilian actress Fernanda Montenegro who got robbed of an Oscar by Gwyneth Paltrow in the almost preternaturally ridiculous and superficial "Shakespeare In Love" gave a performance that is rarely imaginable at the movies? Or that Brazil could produce a film that can rival Murnau's "Sunrise" or the neo-realist masterpieces of Vittorio De Sica for the title of "best film ever made"? I watched this multi-leveled, multi-faceted reflexion piece dubbed in French late one recent Sunday night on Radio-Canada while recovering from the flu. The tears I cried were very good for my sinus condition. But they were also cried for the fact that I was such an idiot for having let this film slip by. If you haven't seen it yet, there is still time. Watch it and ask yourself: What happened to America that it can't tell simple, moving and true stories like this one anymore? You won't have to cry but you will anyway.

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