Che: Part One

2008

Biography / Drama / History / War

126
IMDb Rating 7.2 10 43,514

Synopsis


Downloaded times
October 12, 2020

Cast

Benicio Del Toro as Toby Jay Wadenah
Édgar Ramírez as Ciro Redondo García
Oscar Isaac as Interpreter
Rodrigo Santoro as Raúl Castro
720p.BLU
1.21 GB
1280*720
Spanish 2.0
NR
23.976 fps
134 min
P/S N/A / N/A

Movie Reviews

Reviewed by alexkolokotronis 9 / 10 / 10

Hard, Gritty and To the Point But Not In the Way You Expect

Che: Part One felt very complete and fulfilling. I found myself looking at Ernesto "Che" Guevara as a very well rounded person. Not as an ideological self fulfilling man but as an articulate man with thought out rational decisions as well as a man with many useful talents. The acting of the cast all around was very good but Benicio Del Toro took the movie by storm but he did this in a very subtle way. His performance displayed how Che's spirit was able to superseded the hardships faced in the Cuban Revolution. It did not display any brutality or recklessness but a devotion to a cause. Del Toro's perforations was that worthy of an Oscar nomination but I don't think Che Guervara cared to much about awards. The directing by Steven Soderbergh was visually stunning at times with much of the scenes shot in the forest. What kept the movie upbeat though were the scenes of Che in New York giving interviews and addressing the U.N. It added an extra layer to the film allowing you to see another side of Che. The side in which he shows his political and speaking abilities. The writing was very good with the dialog always keeping you engrossed. The music, though not much of it, was very good and stayed within rhythm of the rest of the film. Overall the film succeeds in showing Che as a well rounded man never developing into oversimplified or unnecessarily complex portrayal of a man. The movie was very accurate and refused to take on a role of being inspiring or Hollywoodish which I enjoyed. The only problem with the film I had was that it seems to have a little too much of a feel of a war film rather than a biopic. Still I highly recommend this film.

Reviewed by Chris Knipp 7 / 10 / 10

Guerrilla struggles that work, and don't

Ironically the most talked-about American film in the 2008 New York Film Festival is 98% in Spanish. The extra-long film's controversy began at the Cannes Festival. There were love-hate notices, and considerable doubts about commercial prospects. As consolation the star, Benicio Del Toro, got the Best Actor award there. I'm talking about Steven Soderbergh's 'Che,' of course. That's the name it's going by in this version, shown in New York as at Cannes in two 2-hour-plus segments without opening title or end credits. 'Che' is certainly appropriate since Ernesto "Che" Guevara is in almost every scene. Del Toro is impressive, hanging in reliably through thick and thin, from days of glorious victory in part one to months of humiliating defeat in part two, appealing and simpatico in all his varied manifestations, even disguised as a bald graying man to sneak into Bolivia. It's a terrific performance; one wishes it had a better setting. If you are patient enough to sit through the over four hours, with an intermission between the two sections, there are rewards. There's an authentic feel throughout--fortunately Soderbergh made the decision to film in Spanish (though some of the actors, oddly enough in the English segments especially, are wooden). You get a good outline of what guerrilla warfare, Che style, was like: the teaching, the recruitment of campesinos, the morality, the discipline, the hardship, and the fighting--as well as Che's gradual morphing from company doctor to full-fledged military leader. Use of a new 9-pound 35 mm-quality RED "digital high performance cine camera" that just became available in time for filming enabled DP Peter Andrews and his crew to produce images that are a bit cold, but at times still sing, and are always sharp and smooth. The film is in two parts--Soderbergh is calling them two "films," and the plan is to release them commercially as such. First is The Argentine, depicting Che's leadership in jungle and town fighting that led up to the fall of Havana in the late 50's, and the second is Guerrilla, and concerns Che's failed effort nearly a decade later in Bolivia to spearhead a revolution, a fruitful mission that led to Guevara's capture and execution in 1967. The second part was to have been the original film and was written first and, I think, shot first. Producer Laura Bickford says that part two is more of a thriller, while part one is more of an action film with big battle scenes. Yes, but both parts have a lot in common--too much--since both spend a large part of their time following the guerrillas through rough country. Guerrilla an unmitigated downer since the Bolivian revolt was doomed from the start. The group of Cubans who tried to lead it didn't get a friendly reception from the Bolivian campesinos, who suspected foreigners, and thought of the Cuban communists as godless rapists. There is a third part, a kind of celebratory black and white interval made up of Che's speech at the United Nations in 1964 and interviews with him at that time, but that is inter-cut in the first segment. The first part also has Fidel and is considerably more upbeat, leading as it does to the victory in Santa Clara in 1959 that led to the fall of the dictatorship of Fulgencio Batista in Cuba. During 'Guerilla' I kept thinking how this could indeed work as a quality European-style miniseries, which might begin with a shortened version of Walter Salles's 'Motorcycle Diaries' and go on to take us to Guevara's fateful meeting with Fidel in Mexico and enlistment in the 26th of July Movement. There could be much more about his extensive travels and diplomatic missions. This is far from a complete picture of the man, his childhood interest in chess, his lifelong interest in poetry, the books he wrote; even his international fame is only touched on. And what about his harsh, cruel side? Really what Soderbergh is most interested in isn't Che, but revolution, and guerrilla warfare. The lasting impression that the 4+ hours leave is of slogging through woods and jungle with wounded and sick men and women and idealistic dedication to a the cause of ending the tyranny of the rich. Someone mentioned being reminded of Terrence Malick's 'The Tin Red Line,' and yes, the meandering, episodic battle approach is similar; but 'The Thin Red Line' has stronger characters (hardly anybody emerges forcefully besides Che), and it's a really good film. This is an impressive, but unfinished and ill-fated, effort. This 8-years-gestating, heavily researched labor of love (how many more Ocean's must come to pay for it?) is a vanity project, too long for a regular theatrical release and too short for a miniseries. Radical editing--or major expansion--would have made it into something more successful, and as it is it's a long slog, especially in the second half. It's clear that this slogging could have been trimmed down, though it's not so clear what form the resulting film would have taken--but with a little bit of luck it might have been quite a good one.

Reviewed by LLRusty 7 / 10 / 10

Not exactly revolutionary

Che Part One is an interesting and enjoyable film about the Cuban revolution, that focuses on the infamous Ernesto 'Che' Guevara. The story follows Che from his first meeting with Castro, to the climactic battle in Santa Clara, where Batista's army makes its last stand against the revolutionaries. This battle scene is filmed guerrilla warfare style in an urban environment, with short bursts of action followed by silence as soldiers move into newer/better positions. It all feels very tense and realistic, which makes a nice change to the shaky cam explosion fests that we're used to. This style works well throughout the rest of the film but swaps the city for the jungle. The flash forward scenes where Che is interviewed and later addresses the United Nations, help to give the story, and Che, more depth and background, whilst giving us insights into his personality and ideology. Along with the battles, these scenes also help to break up the slower parts of the film. Cinematography in the film is good and occasionally great, with some stunning shots of the Cuban landscape. The black and white scenes are also well shot, without feeling out of place. On another positive note, Benicio Del Toro does an excellent job portraying Che. He is understated and believable as the man who wanted to change people's lives, focused on doing what he thought was right. Unfortunately though, I had trouble caring about or even remembering most of the other characters, as dialogue between them isn't particular memorable. Sometimes you almost feel like you're watching a documentary that's trying to teach rather than entertain and this can start to wear, especially when you're reading subtitles. Che may also be shown in a better light than some would like, although honestly I feel the film is fairly accurate in its portrayal of the man and the history. I'd definitely recommend this film to anyone interested in Che or the events in Cuba. Even if at times things do get a little slow, it's still a rewarding and informative experience.

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