Documentary / Short

IMDb Rating 7.8 10 3,042


Downloaded times
March 23, 2020



720p.BLU 1080p.BLU
391.51 MB
English 2.0
23.976 fps
43 min
P/S N/A / N/A
774.98 MB
English 2.0
23.976 fps
43 min
P/S N/A / N/A

Movie Reviews

Reviewed by juubei-2 7 / 10 / 10

Baraka "lite" (shorter, perhaps a good intro to this sort of film)

In Greek mythology, Chronos is said to be the personification of time. Taking that into consideration, you might assume that this would be the longest of the films that Ron Fricke was involved with but actually the opposite is true. Chronos comes in at just under 45 minutes making it a short but sweet trip around some of the world's most beautiful man-made and geological structures. For those looking for a longer trip as well as more to think about when the film is over, I highly recommend Powaqqatsi at 99 mins, Baraka at 96 mins, and Koyaanisqatsi at 87 mins - but you should probably skip Naqoyqatsi at 89 mins because its the weakest of the Qatsi trilogy. Whereas Naqoyqatsi's seizure inducing mechanical/digital messages drench the experience, Chronos is the exact opposite. Chronos is sort of a Baraka "lite". This does not have the music of Philip Glass or the socio-political messages, but the beauty on display should make up for it. Additionally Fricke experiments with different exposures and filters (not seen in the other films) to create some striking effects. If you get the chance to see it, definitely take this one for a spin. Fricke has a new film coming out soon (should be sometime this year) called Samsara which is a sequel to Baraka, and if that doesn't fill the gap you can check out Anima Mundi (by Reggio about animals), Microcosmos (about insects) and Atlantis (by Luc Besson) which is like a scuba dive.

Reviewed by ccthemovieman-1 10 / 10 / 10

The Faster The Better

This is a 42-minute different kind of travelogue, showing various places around the world with no narration and, in some cases, speeded-up photography. In other cases - mainly the beginning - it's ultra-slow. To be honest, I like that fast-forward technique far more, such as where you see clouds and shadows moving by quickly. They move by landscapes, famous monuments and other building and even over art work. Other scenes area also run by quickly; usually when people are in the picture. Later, the speed is accelerated even more. Now people are just a blur. Still later, it's done differently with stop-action-type motion. Filming locations mainly are in the Southwest United States, New York City, Egypt, France and Italy. A few segments, such as those early ones in Egypt are way too slow but others are beautiful and fascinating. Some of these shots almost look computer-made, but they are real. The movie reminded me of "Koyaanisqati," but this is far better, in my opinion. There is no dialog in this short film. I've seen this three times and enjoyed it each time, although by now I am bored by the slow scenes. My favorites are ultra-speedy traffic parts. If you are looking something different, check it out.

Reviewed by BERSERKERpoetry 10 / 10 / 10

Leaving yourself behind

This is somewhere between documentary and photography. It has neither a script nor actors, and there is no narrator, no interview, and no still images. This is a moving picture, in the purest sense. The major focus is the time lapse cinematography of Ron Fricke, who also serves as director. That, and the soundtrack by Michael Stearns, is the sum total of "Chronos". There are deeper meanings to some, intended and accidental, but I won't cheapen things by speculating on what those are. The main drive is the battle of slow versus fast, city versus nature. Much of the time lapse goes by at what appears to be the same speed, but what moves blisteringly fast in the city seems to go by without change or notice in nature. Only the slow march of shadows is apparent across rocks and old ruins. These passages are full and heavy with the weight of time. They pull like the moon on the tides, dragging you back into long forgotten history. It comes like a slow, shallow breath between trains hurtling down tracks to uncertain destinations, and the bleeding blur of strangers up escalators. I've watched "Chronos" in many different contexts. It's been a relaxing background to the end of a long, tired day, or the full focus of my attention as I appreciate its depth of artistry. At forty-three minutes, it's neither too long to drag or too short to feel cut off. Each time after watching it, I find myself out of place with the speed of things around me. I feel the need to step back and breathe, to run faster, to walk slower. Somehow, some way, "Chronos" changed the way I see time.

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