IMDb Rating 7.6 10 9,154


Downloaded times
September 11, 2020


Don Siegel as Extra at Whiskey A-Go-Go
Gena Rowlands as Jerry Bondi
John Marley as Nikos Samarakis
Seymour Cassel as Mr. Koster
720p.BLU 1080p.BLU
1.17 GB
English 2.0
23.976 fps
130 min
P/S N/A / N/A
2.17 GB
English 2.0
23.976 fps
130 min
P/S N/A / N/A

Movie Reviews

Reviewed by Dr.Mike 10 / 10 / 10

An American Masterwork

Faces is one of the first American films to reach to the >core of people's relationships. It provides wonderful insight into a lifestyle that is distinctly American. The detached way that the characters interact most of the time is only a logical conclusion of the commerce-driven world we live in. The film is personal in a way that many European films of the 1950's and 1960's were. Even the title suggests the intimacy of the film and its treatment of its characters. Cassavettes must have been repulsed by the insincerity of the people who were surrounding him when he wrote Faces. Few films have so many moments where characters are together but not talking to each other. They are merely talking, or laughing, or singing, doing anything they can to avoid having to confront the other person. Only once, when the young lover boy talks about the mechanical nature of people in America, do we even get any hint that the filmmaker is put off by the behavior of his characters. The rest of the time he merely films them and shows us what they do. This unsentimental approach can leave the viewer feeling a bit odd, but it works very well in the end. By seeing these character's shortcomings without any hint of disapproval from the filmmaker, the viewer is forced to consider their own lives and the people around them. It allows for an honesty not found in any, I repeat ANY other American film of the 1960's. Even Who's Afraid of Virginia Woolf has some indications of Nichols' attitude towards the material. Faces is just the facts. I can only imagine the excitement that people interested in film must have felt upon the release of this film. Here was a personal, Bergman-esque film made about American people living American lives. (Note: Bergman is referenced during the film.) The quiet desperation of the housewife, the empty feeling inside the businessman, the false nature of each and every relationship speak volumes about the reality of American family life. How refreshing it must have been to see these topics approached in an American film. The film's style is notable as well. It is independent in every sense of the word. It uses a fluid camera, freeform acting, and natural lighting. In many ways, it paved the way for a lot of the young filmmakers of the 1970's by providing them with a stylistic freedom that Hollywood had previously ignored. Today, it appears as a fairly standard film in terms of style, but at the time it was groundbreaking and exciting. In fact, it retains that excitement today, although the real revelation is how much has been taken from the film and used by others. Faces is a great movie experience. Anyone frustrated with the lack of real connection in their lives should see it, if only to realize that many others are suffering from the same fate.

Reviewed by jzappa 10 / 10 / 10

A Timeless Tautology

When I began watching Faces, I realized that I never knew just when the present scene was going to end. I then realized that I wished that it would last forever. I found myself so engrossed in the scene that I was fascinated with it by itself. Then the next scene began, and the next scene, and within each one, there is a whole single movie with characters and a story arch. Faces is a film that does not allow any given scene to simply be a communication of plot information. Cassavetes created an entire universe for his actors in every scene. Each scene is a million years of passion spliced together, each demonstrating brazenly his brilliant recognition of human exchange and in conversation and conflict what is exchanged and what is left to be desired. The film has moments of great pain because miniature struggles are so real and they tend to be vocalizations of a person's deeper fears in social interactions and in the structure of life. The film has scenes of furious drama because characters will experience blind unleashing of their ids as middle-aged people. Faces also delivers highly during moments of happiness and fun because, the situation's comfort level gracefully allowing, the characters will show the fieriest, grandiose, extroverted parts of themselves. The movie's message, ironically, is not about the inner self and the unleashing of it but about the naiveté with which people carry out their normal married lives and don't care to face their flaws and problems and, though they gradually strip their personalities down bare throughout interactions, they continue not knowing themselves or each other. Faces is now among my favorite films of all time and places John Cassavetes on a pedestal as an idol of mine. The movie is a supreme demonstration of powerhouse acting, wherein each performance can be cherished by the performer with a feeling of ownership. There is a bit of real actor in each character played, and that can be seen in each and every powerhouse scene in a row.

Reviewed by dataconflossmoor 10 / 10 / 10

Don't take your drunken stupors too seriously!!

John Marley plays a fatted-calf spawn of affluent suburbia, who is tired of his wife (Lyn Carlin) JUST BECAUSE!!..He goes off with Gena Rowlands, who condones infidelity if it is conditionally based on a bond between two people, and not just for purposes of sordid sex..The common ground all of the characters in the movie share is not love nor understanding, but as is often the case... ALCOHOL!!!.. The director, John Cassevetes, is once again superb in his character portrayal of morally inept people who rely on their misguided self-serving interests and callous logic to carry them through their meaningless pursuits.. Before we do anything, let's pour another drink...We act the way the alcohol tells us to act, the convoluted line of logic being " I can't help what I did and said, the highly toxic cocktails made me act that way".... These antics are more adolescent than anyone could possibly imagine, yet they go under the guise of sophisticated fun!! Such charades fall into the category of extremely dangerous thrills..both emotionally and physically as well!! A precariously select set of upscale Los Angeles clicks have unearthed an onslaught of social misgivings about themselves which have plummeted them down to a pathetically denigrating conscious pitfall level!! These fragile and ominous emotions inevitably become purulent once these individuals' drunken stupors have punctured them open!! SO NOW!! HUSBAND AND WIFE HAVE PLAYED SWITCHIES!!.. What's next?..For starters, they've been painfully reminded that their lives have been obviated from happiness and even contentment!!.. Self destruction is so ugly it just cannot be ignored!! Nothing works for me, nothing works for my spouse, nothing works for my mistress, nothing works for anybody!!!...Their ultimate undoing is not necessarily the marital infidelity on it's own right, but rather, emotions that are predicated on unscrupulous gratification, and a volatile unwillingness to empathize with anyone or anything!!! John Cassevetes evokes a cynicism in this film that touches the core of non-productive selfishness.. Itemization of the character's unchanging flaws is an aspect of behavior that Cassevetes implements in virtually every one of his films... Cassevetes articulates an introverted disarray with his characters in "Faces" by way of manufacturing a set of prevailing circumstances being such whereby the most felonious afflictions with all of the people in the movie are directly attributed to an affluent monotony, as well as an executive class alienation!! The end result of such a fate has fatalistic repercussions!! Cassevetes did not consult with the actors and actresses in this movie, once he assigned them their character roles, he then told them that they now owned these roles and they should treat them accordingly!! The camera angles in "Faces" are spectacular as they illustrate the pejorative reactions of perplexing curiosity with virtually everyone in the film!! Cassevetes is brilliant...Usually the debate is how brilliant...I say EXTREMELY BRILLIANT!!!... However!! I am not a professional movie critic!! SORRY ABOUT THAT JOHN!!! A great director does not even consider himself a director, rather, someone who just understands people... This is what I heard anyway!!!... John Cassevetes goes out on a limb by being so overtly non-conventional.. Guess what?...It definitely works!!!! AN UTTERLY OUTSTANDING MOVIE!!

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