Five Graves to Cairo


Thriller / War

IMDb Rating 7.3 10 4,747


Downloaded times
June 15, 2020



Anne Baxter as Mouche
Erich von Stroheim as Second Pharisee
720p.BLU 1080p.BLU
888.1 MB
English 2.0
23.976 fps
96 min
P/S N/A / N/A
1.61 GB
English 2.0
23.976 fps
96 min
P/S N/A / N/A

Movie Reviews

Reviewed by jpdoherty 8 / 10 / 10

A Timeless Hollywood Classic !

The films of writer, producer director Billy Wilder are regarded as some of the finest works of cinematic art in the history of motion pictures. Wilder, who with a handful of film pioneers such as John Ford, Howard Hawks, Anthony Mann, John Houston and Henry Hathaway et al forged and created a unique style in the production of films that today are looked upon as enduring, inspired and unsurpassed classics. In the case of Wilder such dramatic and sublime fare as "Double Indemnity" (1944), "Ace In the Hole" (1951) and Hollywood's greatest film about itself "Sunset Boulevard" (1950). Plus his comedies like "The Apartment" (1960) and "Some Like It Hot" (1959) - regarded by many to be the funniest film ever made - can never, let's face it, be equalled. There is a timelessness and ageless quality about them that reaches out to anyone who watches them regardless of their generation. Contemporory film maker Cameron Crowe observed "Wilder's work is a treasure trove of flesh and blood individuals, all wonderfully alive". It is hard to believe that one of Wilder's earliest Hollywood efforts FIVE GRAVES TO CAIRO was made in 1943. It seems to be a much later film in look, approach and concept. Yet this quite intriguing spy drama was the result of the day's headlines being utilized by Wilder for the movie's scenario. Based on Lajos Biro's play "Hotel Imperial" it was superbly written by Charles Brackett and Wilder and sharply photographed in monochrome by John Seitz. It was produced by Brackett for Paramount Pictures and was masterfully directed by Wilder. Franchot Tone is British tank Corporal John Bramble who stumbles into a Sahara oasis hotel after crawling through the desert during the North African campaign in 1942. The Germans also arrive at virtually the same time headed by none other than the infamous German Field Marshall Erwin Rommel (Erich Von Stroheim). Rommel and his command take up residence in the hotel run by nervous local Arab Farid (Akim Tamiroff) and an attractive Alsatian maid Mouche (Anne Baxter). To conceal his identity Bramble pretends to be the hotel waiter and as such tries to find out from the formidable quest exactly where on the map the German arms dumps are located. With help from Farid and the maid and gaining Rommel's confidence he eventually acquires the information but not before Mouche sacrifices herself so that Bramble can leave and get back to the British lines. Performances are uniformly excellent! Tone gives an engaging portrayal of a reluctant spy. Anne Baxter has rarely been better than here in the role of the ill-fated Mouche and the amusing Akim Tamiroff as the ever fearful and stammering Farid is as appealing as ever. But the picture belongs to Von Stroheim! His striking performance just steals the show. Although the actor didn't resemble Rommel in the slightest his embodiment of the character is exactly what you would imagine the great German battlefield strategist should have, perhaps, looked like. Rommel himself died in 1944. It is interesting to ponder if he ever saw the picture and what his thoughts on Von Stroheim's flamboyant portrayal of himself might have been. Complimenting the picture throughout is the terrific score by Miklos Rozsa. Rozsa was one of Wilder's favourite composers and wrote the music for some of the director's best films like "Double Indemnity" (1944), "Lost Weekend" (1945) and "The Private Lives Of Sherlock Holmes" (1970). For FIVE GRAVES TO CAIRO he wrote a spirited and heroic march to point up the British forces movements and a reflective and ravishing character theme for the maid Mouche which is given lovely renditions on solo violin. FIVE GRAVES TO CAIRO is a superb and suspenseful spy thriller set in an atmospheric war background. And thanks to the great Billy Wilder it's a great movie that simply refuses to age in its appeal. Classic moment from FIVE GRAVES TO CAIRO: Rommel, sitting up in bed as Mouche (Anne Baxter) enters with his breakfast, "I don't like women in the morning" he declares and when she pours his coffee and with a gesture of the back of his hand he instructs her to "take two steps back please".

Reviewed by kayester 7 / 10 / 10

Making the most of a propaganda vehicle

Can Billy Wilder do no wrong? Except for the last few minutes, which are strictly WWII propaganda, this film is the goods. Franchot Tone's tone is at once sardonic and dutiful, a combination that brings out the irony of the situation he finds himself in when he stumbles into a bombed out hotel in the middle of the desert. It is the height of the war in North Africa, the British have retreated into Egypt, the German/Italian army is on the move, and there is intrigue in the air. There are other excellent performances by Anne Baxter and Akim Tamiroff and a scene reminiscent of "La Grande illusion," where Field Marshal Rommel, played with swagger and arrogance by Erich von Stroheim, entertains several British POW officers. Wilder handles the material deftly, his timing never falters, as the mystery and the tension build. As for those last few minutes, well, this film came out at the height of the war, so I'll forgive the propaganda excesses.

Reviewed by bkoganbing 7 / 10 / 10

If Erich Von Stroheim didn't exist Hollywood would have had to invent him

This 1943 World War II film is Billy Wilder's second directorial effort and it's a pretty good outing. According to a recent biography of Wilder, Cary Grant was offered the lead and turned it down, saying he didn't feel like going on location in the desert near Yuma, Arizona in August. The part then fell to Franchot Tone who gave a good account of himself as did Anne Baxter and Akim Tamiroff. The film though really revolves around Von Stroheim and his portrayal of Erwin Rommel. In 1943 all that was known of Rommel was his military prowess in the desert. After the war we learned about his part in the plot to assassinate Hitler and the real story of his death. That's all covered in The Desert Fox and in James Mason's outstanding portrayal there. What we get here is a portrayal of a cold, merciless, military machine Hun and no one did that better than Erich Von Stroheim. You watch this as did so many in the theaters in 1943 after the North African campaign was over and he became the man you love to hate. Because of what later came out about Rommel this film became immediately dated. Yet it's still a curiosity and worth a look.

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