Flashdance

1983

Drama / Music / Romance

70
IMDb Rating 6.2 10 44,602

Synopsis


Downloaded times
March 22, 2020

Director

Cast

Cynthia Rhodes as Thompson
Michael Nouri as Don Farber
Robert Wuhl as Randy Fisher
720p.BLU 1080p.BLU
870.25 MB
1280*720
English 2.0
NR
23.976 fps
95 min
P/S N/A / N/A
1.75 GB
1920×1080
English 2.0
NR
23.976 fps
95 min
P/S N/A / N/A

Movie Reviews

Reviewed by PredragReviews 7 / 10 / 10

Amazing Soundtrack of 80's

What makes a good film for me is that it is enjoyable, entertaining, gripping, likable and emotional. Flashdance without a doubt ticks all these five boxes. Flahdance is a very retro, cheesy entertaining film that is at no point boring and never drags, and is also a very clear symbol of the great 1980's and the night club exotic dancing scene of the time. Jennifer Beals puts down an amazing performance, as a dancer and as an actress. I guess the story comes down to the fact that reality bites, that life is tough, but if you push hard you just might make it. All in all, Flashdance despite its few undeniable faults is a very decent and enjoyable film in my opinion. As it mostly meets all of my requirements I am happy to give it a positive review. This film is one of the quintessential 80's films, that works well as a symbolic artifact of its time. I highly recommend this film to anyone who loves 80's. Overall rating: 7 out of 10.

Reviewed by Harrington_Bob 6 / 10 / 10

A sparkly fun movie about accomplishment and striving

No movie can sparkle if you don't! Dull serious people may not care for this movie of a lovely young woman driven to accomplish,despite hardships and heartbreak. But good music, good chemistry between the romantic co-stars, great dancing, an optimistic tone, make this a gem. "Rocky" with a dance motif and female star. Unless you're irretrievably burdened by life or just don't like good-looking women who achieve, you'll be cheered by this fine romantic flick.

Reviewed by JamesHitchcock 6 / 10 / 10

Lively Popular Entertainment

In recent years there have been a number of British films based on the theme of working-class people who find fulfilment through their cultural activities; examples being Educating Rita (the first and most distinguished), Brassed Off, The Full Monty and Billy Elliott. Such films are frequently described as `quintessentially British' or `something that we can do and Hollywood can't', whereas the truth is that twenty years ago Hollywood was indeed making very similar films, mostly centred upon dancing, such as Saturday Night Fever, Dirty Dancing or Flashdance. Whereas these American films may not have had the covert (or, in the case of Brassed Off, highly overt) political message of their British counterparts, they nevertheless concentrated on differences in social class far more than Hollywood movies usually do. The heroine of Flashdance, Alex, is a young woman who works as a welder and whose main joy in life is dancing. She moonlights as a dancer in a local nightclub, but her great ambition in life is to become a ballet dancer. The film tells the story of how she achieves that ambition, as well as the story of her romance with a wealthy middle-class divorcee, set against frequent dance sequences as Alex and her ice-skating friend Jeanie go through their paces. The climax comes with a scene in which she auditions for a place at a prestigious ballet academy and treats the judging committee to a bravura display of breakdancing. (Would a ballet school really be prepared to offer a place to a candidate whose dance skills owe more to the disco than to Swan Lake and who seems completely ignorant of balletic idiom?) The film has its weak points. Although the plot is not as non-existent as some reviewers have felt, it nevertheless tends to take second place to the showpiece dance numbers; at times, it felt as if I were watching an extended series of pop videos. Potentially interesting themes are ignored; for example, Alex is a practising Catholic, but this seems to be a plot device to enable scenes set in the confessional to be used as soliloquies in which she can air her emotional problems. No attempt is made to explore the possible conflict between the demands of her religion and her sexually provocative dancing or her love for a divorcee. The acting is undistinguished; Jennifer Beals makes an attractive and personable heroine, but it is clear why, despite the success of this film, she did not go on to become a major star. Her acting is too weak to enable her to carry a film; certainly I felt that she would be out of her depth in one that depends more upon plot and less upon song and dance. The other characters are little more than ciphers, with the exception of Hanna, the old lady who acts as Alex's mentor. I could certainly have done without the tasteless ethnic jokes told by Alex's comedian friend. Yet, despite its faults, I enjoyed this film. Its redeeming feature is the zest and energy of its dance sequences, set to some well-chosen music such as Laura Branigan's Gloria or Irene Cara's title song. It may not be deep or significant, but it is an enjoyable, well-made piece of popular entertainment. 6/10.

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