For Whom the Bell Tolls


Adventure / Drama / History / Romance / War

Rotten Tomatoes Critics - Certified Fresh 77%
Rotten Tomatoes Audience - Upright 63%
IMDb Rating 7 10 7,503


Downloaded 1,604 times
April 10, 2019



Gary Cooper as Lt. Alan McGregor
Ingrid Bergman as Dr. Constance Petersen
Yakima Canutt as Sam Black
Yvonne De Carlo as Deborah McCoy
720p.BLU 1080p.BLU
998.40 MB
23.976 fps
170 min
P/S N/A / N/A
2.27 GB
23.976 fps
170 min
P/S N/A / N/A

Movie Reviews

Reviewed by Davalon-Davalon 2 / 10 / 10

Not "one of the greats"

I am astonished that anyone could have rated this as a "10." Give me a break! I have not read the book, so perhaps this film does correctly reflect the story that Hemingway wrote. Nonetheless, as a film it is deadly. As others have correctly pointed out, Gary Cooper was wooden throughout. He finally rises to the occasion in the last thirty seconds of the film where he realizes he has the strength to shoot the machine gun at the enemy by thinking of "Maria" (Ingrid Bergman). It's also at this point that the film slips into voice-over mode; it's jarring. Ingrid Bergman was, without a doubt, stunningly beautiful; that could not be argued. I also felt that she was a good actress -- but not necessarily in this film. It isn't her fault; it's what she was given to work with -- a dull, uninspired, script. Let's talk about that script. There were a lot of questions and answers that repeated the questions. There was mundane, banal, dull, laughable. The movie went on endlessly and for what... because Gary had to blow up a bridge at dawn, "Those are orders!" -- and so we, the viewing audience, must also wait until "dawn" while Gary, Ingrid and a band of misfits point fingers at each other, drink wine, eat, and apparently never bathe or take a dump. The only actors that I found to be interesting were Katina Paxinou, who had a sort of ferociousness about her performance (and the Academy awarded her), and Akim Tamiroff, who looked like the original Hobbitt. As the movie wanders around mountains and fights between nationalists and republicans or somebody and somebody, the only thing that seems to be of concern to Ingrid is whether Gary is okay. In fact, that seems to be the only thing that matters to Katina as well. Despite all the talk of liberation and freeing themselves from their oppressors (this was supposedly the Spanish Civil War), all that seemed to matter was whether Ingrid was happy. While I did enjoy looking at Ingrid's pretty face, and Gary's eyes were killer, I could not understand what she saw in him. He was twice her age, if not more, and he kissed with the passion of a sedated goldfish. It's an old film. It's slow. I felt that emotions were manipulated beyond all reason. I just did not enjoy it. So 2 out of 10, 1 for Ingrid's face, 1 for Gary's eyes.

Reviewed by madbeast 5 / 10 / 10

Machismo Escapism

I am no fan of Ernest Hemingway, finding most of his work to be overwritten macho wish fulfillment, so take this with a grain of salt if you're a Poppa addict. But I found the film to be an overlong bore centering around a leaden Gary Cooper (playing the clichéd embodiment of Hollywood's idea of a romantic soldier of fortune) and a ludicrously miscast blonde Swede Ingrid Bergman as a Spanish freedom fighter. Like most of the movie, Bergman is distractingly gorgeous and the filmmakers' choice to shoot it in opulent Technicolor often undercuts the dramatic weight of the story. Far more convincing than the two leads are Katina Paxnou (who richly deserved the Oscar she won) and Akim Tamiroff as characters grounded with human flaws and inconsistencies that make them compelling, as opposed to the stupefyingly boring Cooper and Bergman, whose only interest comes from the undeniable sexual chemistry that they project. It might have been a perfectly unobjectionable little 1940s adventure film were it not for a script that takes two hours and forty-five minutes to tell a story that frankly isn't very interesting to begin with. Things finally do start to rev up in the second half when the handsome and heroic Cooper finally starts to play out the manly mission that threw him in the midst of the freedom fighters to begin with, but up to then I found my patience weighed down by Cooper and Bergman making goo-goo eyes at each other while Paxnou/Tamiroff & Company bicker amongst one another, often using Hemingway's flowery prose for dialogue that is completely out of step with their characters. If you're an advocate of Hemingway's brand of ultra-masculine romanticism you should probably disregard this review. But if you're a more objective viewer, while the film certainly has its positive aspects (usually when Paxnou or Tamiroff is on the screen), be prepared to mouth the word "overrated" after sitting through its lengthy run-time.

Reviewed by grantss 5 / 10 / 10

OK-ish, but not great

Spanish Civil War, 1930s. Richard Jordan, an American, has joined up with the Republican side. He is given the tough assignment of blowing up a vitally important bridge. Things get complicated when he falls in love... Based on the novel by Ernest Hemingway. OK-ish, but not great. Plot drifts, and the movie is overly long. Some decent editing and this could have been an hour shorter and much more coherent. Despite starring greats Gary Cooper and Ingrid Bergman (whose previous film was Casablanca), the performances are unconvincing. Cooper and Bergman don't seem to gel well. The supporting cast are woeful. I haven't read the book, but I am sure it is better than the movie.

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