Germany Year Zero

1948

Drama / War

170
IMDb Rating 7.9 10 9,767

Synopsis


Downloaded times
December 12, 2020

Cast

Adolf Hitler as Self
720p.BLU 1080p.BLU
670.43 MB
1280*720
German 2.0
NR
23.976 fps
78 min
P/S N/A / N/A
1.22 GB
1920×1080
German 2.0
NR
23.976 fps
78 min
P/S N/A / N/A

Movie Reviews

Reviewed by RichardvonLust 10 / 10 / 10

Beyond words

As a child of the post war Berlin ruins myself, I confess this film had a special relevance. But nothing could have prepared me for the sheer impact that Germany Year Zero has upon the soul. Roberto Rosselini captured a tragedy that has been largely ignored and his haunting work screams the pain of post war civilian suffering in Berlin louder than any documentary. Not only filmed in the very streets where a million died only months before, all those appearing in Stunde Null were quite clearly living the very experience they were enacting. These were not actors. Their performances are clumsy and strained without the polish of professional training or Hollywood editing. But that was the magic of this production. This was not drama but rather a window of reality. Their faces were scarred by the terrors they had just survived and one can only wonder at their courage to enact their own daily suffering for the entertainment of others. The essence of the plot is simple enough. It is the story of ordinary German civilians trying to survive the starvation and deprivations of 1945 Berlin. The central character is a 12 year old boy, Edmund, who has to endure anything and everything in order to provide for his family. And in the end..... Well nobody knows what really happened to Edmund Moeschke, the ex Hitler Jugend who was playing himself. After filming the external shots in Berlin the entire cast were taken to Rome in 1946 where the interior scenes were put together. And of course most of them attempted to remain there. Edmund disappeared from history and probably met his end somewhere in the Roman streets. Certainly he has never emerged to claim the accolades that would undoubtedly be poured upon him were he to only mention his name. But Edmund will never be forgotten because his tragic story touches the soul and speaks for millions of other youngsters who were so cruelly sacrificed in that terrible conflict. This is not a film: it is a masterpiece.

Reviewed by EdgarST 10 / 10 / 10

Tenaz!!

After watching "Roma, città aperta" in the 1970's and "Paisà" in the late 1980's, I finally saw "Germania anno zero", the last part of Roberto Rossellini's war trilogy. Compared to the first two installments, they all share the immediacy of the war, but this time Rossellini is more direct: no subplots, only a handful of characters, all of whom move around young Edmund (Edmund Mëschke), the 12-year-old German boy who lives in a miserable apartment with five other families, and who maintains his sick father, his brother who was a Nazi soldier and his sister, who is close to becoming a prostitute. Edmund pretends he's old enough to work, but when he's denied that opportunity, he steals, sells items in the black market, or allows his former teacher to caress him lasciviously for a few marks. What's more impressive in this film is the lack of sentimentality – compared to De Sica's children movies- and the absence of preaching: when one character does preach, he would have better stayed shut! I think that many scholars are no longer interested in the aesthetics of Italian Neorealism, but–in my appreciation- Roberto Rossellini is one of the big names in the history of cinema, far more important than other filmmakers who are idolized, and his war films are more interesting to me than later works as "Voyage in Italy".

Reviewed by marshm 10 / 10 / 10

Grim and accurate

I must confess to a lingering fascination of the condition of Germany, and the German peoples, immediately following WWII. The country, of course, was broken - destroyed - in ruins. More importantly, so were the people. The real life stories I have read speak to so many aspects of their condition: shame, starvation, disbelief, shock of the revelations of the evil of their own doing, and despair. Always despair. They are stories of how the human spirit can overcome the most horrific nightmares and conditions. This movie drills to the heart of many of those issues, sometimes subtly, sometimes brazenly. Rossellini was never better. I consider this movie to be a must view on two levels: First, it is quite frankly one of the best moves ever made. Easy words to throw around, and said too often about too many films. Those words apply here. Second, it is a must view for the understanding it can provide of what the world - particularly Germany and Europe - were like after WWII. It belongs to a small suite of movies (such as Schindler's List) that show real insight, a true view into the world during this bleak time in history.

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