Adventure / Comedy

Rotten Tomatoes Critics - Certified Fresh 75%
Rotten Tomatoes Audience - Upright 77%
IMDb Rating 7.2 10 5,977


Downloaded 39,491 times
April 7, 2019



Anne Haney as Hedda
Herbert Lom as Ludwig
Ned Beatty as Josef Locke
Walter Matthau as Harmon Cobb
720p.BLU 1080p.BLU
747.41 MB
23.976 fps
106 min
P/S N/A / N/A
1.58 GB
23.976 fps
106 min
P/S N/A / N/A

Movie Reviews

Reviewed by LeonLouisRicci 7 / 10 / 10

Zen-Like & Natual Spy Comedy...Breezy & Easy Going...Sharply Defined

Walter Matthau's Sense of Verbal Easiness and Physical Slouching is Showcased in this Breezy, Easy Going Spy Comedy. The Laughs are Subtle most of the Time Lending itself to Situations and Dry Displays of Visual and Verbal Offhandedness. It's a Fun Film, especially if You Like Mattheau. The Supporting Cast all do Good work. Ned Beatty, Sam Waterston, Herbert Lom, and Glenda Jackson all Play Off of the Mattheau Schickt. It Moves at a Fast Pace where there is No Time for Fancy Frills and Thrills, it gets its Energy from anything but the Spy Movies it is Satirizing. There is Virtually No Resemblance to a "Bond" Movie or even a "Flint". It's Style is more like a TV Show where Everything is Bright, Colorful, Staged, Minimal, and Unpretentious. Overall, it is Witty Enough and Engaging Enough to be Entertaining for the Majority of Moviegoers. Although, it got Mediocre Reviews Initially, the Movie has Gained more Acceptance Over the Years. The Globe Hopping Helps the Postcard Look and is Definitely Worth a Watch for Undiscriminating Fans of the Spy Genre, Fluffy Take-Offs, and those who just want to Fly through a Couple of Hours with very little to Tax the Viewer. It's almost Therapeutic in its Zen Like Naturalness.

Reviewed by Knox Morris 7 / 10 / 10

What Going To The Movies Is All About

In Netflix's recent TV adaptation of Lemony Snicket's A SERIES OF UNFORTUNATE EVENTS an Uncle of three children explains that, like books, movies have an outer layer of entertainment, but an inner layer of philosophical brilliance. This best applies to Ronald Neame's HOPSCOTCH which, while truly delightful, is less consciously more about getting old and having one last bit of fun before the latter part of your life gets the better of you. All these moments are organized to the music of Mozart, and, ironically, the screenplay is like a symphony. Director Neame and writer Garfield crafted a film so suspenseful, so hilarious, and so intellectually wise that it is hard to believe critics dismissed it as just another okay comedy. They seemed to have missed what was hidden in a shallow layer of sand — the message of Shakespeare's "undiscovered country," or more commonly known as death. This is usually conveyed through images, but with this film, satire is the choice. You actually never see a word of Kendig's revelations about the CIA. Could it be so truthful that it's terrifying? Full of such lies that the agency could be ruined for nothing? We don't know. 10/10.

Reviewed by SimonJack 7 / 10 / 10

Staying one step ahead of the CIA in this Cold War comedy

The plot for "Hopscotch" is very simple. One of the top CIA field agents is being sent to a desk job until retirement. Walter Matthau plays Miles Kendig. His boss is of the Ivy League set and doesn't like the way Miles works. Ned Beatty plays boss Myerson. We don't like him right away. He's a jerk, not as intelligent, and he swears and cusses a lot. Miles won't take it sitting down, and decides to go on the lamb. He destroys the CIA file on himself, and through work contacts arranges for a few new IDs – passports and all. Miles contacts a former colleague and girlfriend to help him with parts of his plan. He wants to get back together with Isobel (played by Glenda Jackson), who is a well-to-do widow now living in Switzerland. A couple of other main characters are Cutter, a CIA agent who Miles trained, and who is now in charge of trying to find him. Cutter likes Miles, and tells the boss that he will be a step ahead of them all the way. The other character of substance is a Soviet counterpart to Miles, whom Miles like and respects. Miles know how he thinks.. Herbert Lom plays Yaskov, who also likes and respects Miles. Most of the film is about Miles eluding the CIA who pursue him around the globe. He is writing his memoirs and sending them, a chapter at a time, to the CIA and its counterparts in Moscow, Peking, London and Rome. Myerson wants Miles "eliminated," and maybe the other intelligence groups do as well. But Miles finds a publisher in London, and his book becomes a best seller. As he sets in play each move, Miles stays a step ahead of his pursuers. Until the very end with its unusual but not very surprising ending. The film is based on a book by Brian Garfield. In an interview that came with my DVD of the movie, Garfield said he wanted to write a CIA story as an adventure and a comedy without the gore and killing. His screenplay kept to the book in that regard. He and Ronald Neame, director, talked about how Ned Beatty had to practice using his profanity because he wasn't that way in real life. That's the one thing that keeps this from being a movie for all ages. Another reviewer noted how the intrigue of the plot keeps one somewhat on edge for what comes next. We all pull for Miles and want him to succeed. The comedy isn't of the loud laughing type, but is dry and subtle at times with some humorous situations. It's an enjoyable film, but there's still something lacking about it. We don't see or know what Miles plans to do from one point to the next --- and there's a sense that he doesn't have a plan. He even says something to that effect at one point. Yet his every move seems so methodically planned out. He moves too smoothly and almost nonchalantly between stops. He visits a forger. He flies to Switzerland. He rents a car. He drives to see Isobel. He flies to London. He visits a man for a job there. He flies to Washington. He drives to South Carolina. He rents a house. He hires an oil truck. He hires a plane and pilot. He flies to Bermuda. He flies to London. He hires buys, rents and flies ad infinitum. The movie was shot in several locations – London, Munich, Salzburg, Atlanta and other locales. In the interview that came with my DVD, we learn that Matthau was cool on doing the filming portion in Germany. He is Jewish and lost several relatives who were killed by Nazi Germany during World War II. Ronald Neame explains how he got Matthau to come around. It involved giving parts in the film to some relatives. Mathau's son, David Matthau, plays CIA agent Ross. Lucy Saroyan, daughter of Matthau's second wife, plays the airline pilot, Carla. Both tested well for their parts, according to Neame, and he said he made their roles conditional on Matthau's agreeing to the filming in Munich during the annual Oktoberfest there. This movie was made at a time when Cold War spy and espionage films were highly popular. It broke away from the usual suspense and mayhem with killing and gruesome scenes. It offers a light comedic touch to the otherwise dark and often seedy world of espionage. It's not a great or complex film, but a light comedy that most adults should enjoy.

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