Hunger

1966

Drama

38
IMDb Rating 7.8 10 2,601

Synopsis


Downloaded times
October 12, 2020

Cast

720p.WEB 1080p.WEB
980.63 MB
1280*720
Swedish 2.0
NR
23.976 fps
112 min
P/S N/A / N/A
1.78 GB
1920×1080
Swedish 2.0
NR
23.976 fps
112 min
P/S N/A / N/A

Movie Reviews

Reviewed by howard.schumann 9 / 10 / 10

A classic worthy of Bergman and Bresson

At first glance, Pontus (Per Oscarsson) looks like a well-groomed businessman but on second look, there is something not right. His smile reveals a core of rotting teeth and his manner seems odd. He follows two young women on their walk through the city of Christiana (later Oslo) in Norway in 1890, yet keeps telling one of the women that she has dropped her book. He stops a policeman to inquire about the time, but insists that the officer is in error. Based on Norwegian author Knut Hamsun's psychological novel of the same name, Henning Carlsen's Hunger probes the inner working of the mind of a talented young writer living in poverty and on the verge of insanity. Shot in black and white, the film captures the bleakness of a world looking for a soul. Oscarsson totally captures the struggling author in a magnificent performance for which he won the award for Best Actor at the Cannes Film Festival. Not only is he in every scene in the film, but the film can scarcely even be conceived of without his presence. Pontus wanders the streets of Christiana moving from a semblance of rationality to hallucinatory madness yet still retaining his dignity and cool intelligence. Though he is reduced to trying to sell his glasses, the buttons from his jacket, and his only overcoat in order to stay alive, he refuses assistance from friends, and when he does come into a bit of money, he promptly gives it away. Though his poverty and suffering appears to be self-inflicted (there are hints he could go home to a cottage in the country), psychologically he is not in full control. Pontus has submitted an article for publication and his hopes are bound with the editor's decision. Told to come back the next day at 3:00 PM., the hours go slowly as he tries to negotiate renting a room with the promise to pay the next day. The editor at last recognizes his talent but tells him to tone his article down and bring it back the next day, at which time there will be some money waiting for him. Asked by the editor whether he needs money, his pride does not allow to admit the obvious and he refuses help, seemingly attached to his deprivation as if he has staked out a position that he must defend at all costs. He is moved almost to tears when a lovely blonde he names Ylajali (Gunnel Lindblom) takes an interest in him but apparently his presence in her home does not fit her picture of the romantic starving artist and the relationship ends quickly. Staying alive by scraping meat from dog bones, Pontus grasp on reality slowly fades but he maintains his dignity while refusing to compromise with the world, yelling insults to God for the mess he is in rather than seeking to find a way out. Oscarsson's portrait is unforgettable and makes what could have been a very depressing film into a tribute to the worth and dignity of every human being, regardless of their circumstances. Hunger is a classic film worthy of Bergman and Bresson.

Reviewed by baumannen-1 8 / 10 / 10

desperate tension like Dostojevskij

This film describes like no other movie a feeling of desperation, hunger and life's meaninglessness. You get in a horrible mood watching it, but you can't take your eyes off the screen. It reminded me a lot of "Raskolnikov" ("Crime and Punishment") by Dostojevskij and a bit of Tom Kristensen's "Hærværk" ("Vandalism"). I did not think movies could be like this - irrational, desperate and oppressive. Per Oscarsson's role as the writer Pondus is moving and exceptionally good. He seems to be a good person, but his moral is tested to the limits, when he by mistake gets too much money back in a grocery. He describes with precise accuracy the dilemma between moral and one's own needs - hunger and love. Watch it, sense it!

Reviewed by claudio_carvalho 8 / 10 / 10

Starvation, Self-Esteem, Pride and Arrogance – One of the Most Complex Characters I Have ever Seen

In 1890, in Christiania, the penniless aspirant writer Pontus (Per Oscarsson) is unemployed and starved, and near to be evicted from his poor room in a low-budget boarding house. The lonely Pontus has written an article and his hope is that the editor of the local newspaper buys his literary composition to raise money to have a meal and pay his debts to his landlord. However, Pontus is too proud and arrogant to accept any charity or money in advance and despite his poor appearance, he insists to tell other people that he does not need any alms. Further, his honesty does not allow him to keep a change wrongly given to him. The hunger Pontus is becoming delusional and having daydreams due to the lack of food. When the weirdo Pontus sees the gorgeous Ylajali (Gunnel Lindblom) walking on the street with her sister, he flirts with her. Sooner the editor asks him to rewrite his article in an appropriate language of newspaper and Ylajali dates him, and it seems that his dreams will finally come true. "Sult" is an impressive, depressive and heartbreaking character study of one of the most complex characters I have ever seen. The viewer does not have information about the past of Pontus, but his behavior indicates that he was from the aristocracy of the upper-classes that has moved to Norway expecting to become a successful writer but that is actually a loser. Or that he feels superior to the other people and also inferior, at the same time. His personality is contradictory since even under a deep starvation,he keeps his self-esteem, pride and arrogance, capable to hock his jacket to give a handout to a beggar. Pontus does not give-up and only when he indirectly receives money from Ylajali, he is capable to return to his country. I have never read the novel of Knut Hamsun, but it certainly might be a depressing story. Per Oscarsson has one of the best performances I gave ever seen and participates in every scene through his presence, his visions or his feelings. My vote is eight. Title (Brazil): "Fome" ("Hunger")

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