Comedy / Drama / Fantasy / Music

IMDb Rating 6.1 10 2,502


Downloaded 10,504 times
April 4, 2019



Ian Charleson as Marco
Karl Johnson as Ariel, an airy spirit
720p.BLU 1080p.BLU
882.78 MB
23.976 fps
106 min
P/S N/A / N/A
1.68 GB
23.976 fps
106 min
P/S N/A / N/A

Movie Reviews

Reviewed by zetes 9 / 10 / 10

See it on the new Criterion disc

Difficult to describe, but amazing as hell. Derek Jarman examines the punk aesthetic, with a framing device that Queen Elizabeth I has asked her court magician to show her England's future. And I doubt she likes what she sees, a post-apocalyptic wasteland. The prophecy follows a group of punks who rebel and murder pretty much randomly. The film's likely to disgust many; it lives in much the same world as Kubrick's A Clockwork Orange, and, just like that film, we are expected both to revile and have fun with the horrors that are perpetrated on screen. Criticism has been all over on this film, but it's mostly been negative, with a few cultists embracing it. This is the kind of film that I can really love, as I am a kind of pseudo-revolutionary myself. I enjoy observing rebellion in all of its forms, anyway, and I like to think I would like to somehow take part in it. Yes, that could be considered pretentious, but that especially fits in with this film. Jarman was never of like mind with the movement he was depicting, and he himself is emulating what he perceives as punk. And he's partly horrified at what he's observing. I loved watching this movie, in all its simultaneous beauty and ugliness. The documentary included on the Criterion disc, Jubilee: A Time Less Golden, convinced me that the film wasn't only impressive on a primal level. It's one of the best of this kind of documentaries, in that it doesn't at all slavishly tell us how great Jarman or Jubilee is. Instead, it clearly outlines all the contradictions of the artist and the film. Strangely enough, it helps solidify the importance and greatness of the film, while pretty much quashing the many criticisms that have been leveled at it throughout the years. The review of the film at DVD Verdict (www.dvdverdict.com/reviews/jubilee.shtml) was also a big help. Jubilee is definitely a must-see, an outrageous and remarkable cinematic experience. 9/10.

Reviewed by squelcho 7 / 10 / 10

Simplicity is underrated

Effortlessly annoying nitpicky artsnobs 28 years on, this film is still achieving its primary aim. It's no more than a fairly precise picture of the sleazy portion of the punk scene in 1977, glued into a sparkly scrapbook for posterity. It's not an attempt to make a great artistic statement about the mythical punk movement so beloved of merchandising vampires. It's an exposition of the low expectations and "up yours" attitude that brought forth the grotty music and trashy DIY fashions in the first place. Dump intellectual baggage, remove head from posterior, and watch it as the fine trashy low budget comedy it is. And be grateful for small mercies. Toyah Wilcox didn't get to sing.

Reviewed by Jason Forestein 7 / 10 / 10

Why don't you take up embroidery

An utterly bizarre film to be sure, Jubilee is an anarchic take on history and science fiction that tells, simultaneously, of Queen Elizabeth I's reign and a dystopian England in 1977 where gangs of women roam the countryside. Punk-SciFi would reach its apogee with Repo Man, but here's where it more or less starts: With Adam Ant and a host of nameless actors gallivanting about London in outrageous garb. It's an amateur production, I think, that lacks in acting and cinematography. Even the dystopian vision of the then-present, though squalid, lacks snap. Derek Jarman, the director, would go on to do greater, and more adventurous, work that this, most notably Blue. So why an 7 out of 10? Because polish and anything more than a DIY sensibility would have ruined this film. What it lacks in technical ability (and it pretty much lacks entirely of technical ability), it makes up for in energy and spirit and ideas. In many ways, it reminds me of Night of the Living Dead--a rather amateur production that, despite technical faults, rises above its limitations and is entirely effective. It's not a great film, but it's an incredibly interesting one. Jubilee is a cinematic experience unlike very few others. It's about as far from mainstream as one can get in non-avant garde English language film (no concessions are made to the middle of the road), so I cannot recommend this to everyone. If you want to see something different (are you a fan of Repo Man, for instance) and something rather unique, check the movie out. PS You can also snobbishly remark that Sofia Coppola's upcoming Marie Antoinette is nothing but a rehash of most of the ideas put forth here, when it comes out later this year.

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