Kohtalokas keskiyö

1962

Crime / Drama

62
IMDb Rating 6.3 10 870

Synopsis


Downloaded times
August 26, 2020

Director

Cast

Anthony Perkins as Josef K.
Gig Young as Willy Grogan
Sophia Loren as Lisa Macklin
720p.BLU 1080p.BLU
996.56 MB
1280*720
English 2.0
NR
23.976 fps
110 min
P/S N/A / N/A
1.81 GB
1920×1080
English 2.0
NR
23.976 fps
110 min
P/S N/A / N/A

Movie Reviews

Reviewed by theowinthrop 6 / 10 / 10

An Unusual Ending For Sophia

This is not a great film, but it's enough of a curious film to merit watching. The story deals with a wife who loathes her husband (Anthony Perkins) and thinks him dead. If it is true she is well rid of him. It is not true, and he forces her to go through a life insurance swindle (for a big paying policy on his life). In the course of the movie she meets an insurance investigator (Gig Young) who she would really feel good with. But she has to keep up the lie that Perkins is dead, and Young grows more suspicion. And the pressure of the lie, and meeting Perkins demands, and facing Young's questions is building up more and more on Loren. The conclusion (which I will not reveal) was a surprise for Loren fans, and remains the only time she ever did this in a movie - she goes mad.

Reviewed by bkoganbing 7 / 10 / 10

Life is a masquerade

Five Miles To Midnight is another of those Alfred Hitchcock type films that could have been a classic had he decided to do them. I think he was busy with The Birds when this came out. Sophia Loren is the star both in billing and performance. She's married to former American GI Anthony Perkins and it's an abusive relationship. Perkins has to take a flight to Casablanca, but the plane crashes near Bordeaux and miracle of miracles he survives but is not found. What a golden opportunity for a little insurance fraud. And a battered Sophia goes along with it. The rest of the film is the masquerade that Loren plays as she pretends he's dead like everyone suspects and what she endures with an increasingly unbalanced Perkins. When Sophia Loren won her Oscar for Two Women she showed her acting chops and this film also has a lot more to do with Sophia the actress than Sophia the sex symbol. As for Anthony Perkins he started out playing callow youths with issues. After Psycho he started out playing far more deranged characters with issues although his character here is descending into a bit of madness unlike Norman Bates who was one fully formed whack job. Other men in Sophia's life are Gig Young and Jean-Pierre Aumont. Won't give any ending away because in the end we don't know what's to become of the main characters most especially Sophia Loren.

Reviewed by seveb-25179 7 / 10 / 10

Decent Sub Hitchcock Fun

I hadn't bothered watching this before because of the negative reviews it always seems to get, but I love Sophia and she made so few decent movies in the genre's I like to watch, that I finally gave it a go, and I was pleasantly surprised I found this to be a very enjoyable sub Hitchcock vehicle Anthony Perkins is very effective as the wheedling, manipulative man child that is his trademark and Gig Young is effectively ambiguous as the smarmy, stranger, who may turn out be an ally or an enemy The movie teases you with possibilities for violence or revelation that come to nothing, so that when something does happen it is all the more of a surprise (Which is considered slow and old fashioned these days, but was par for the course back then) Black and white suits the ambiance that they producers are aiming for, the veneer of French avant guard for a film that aspires to be more than it is, however what it is, is still fine by me PS; - Those who strangely expected Sophia to take her clothes off at some point obviously don't know her very well, as apart from, and perhaps because of, her experiences in her very early days in the movie business, she never does more than undo a couple of top buttons, as she does here

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