Lo and Behold: Reveries of the Connected World



Rotten Tomatoes Critics - Certified Fresh 92%
Rotten Tomatoes Audience - Upright 69%
IMDb Rating 7.1 10 10,387


Downloaded 337,441 times
April 7, 2019



Elon Musk as Self
Werner Herzog as Glass Transporter
720p.BLU 1080p.BLU
681.41 MB
23.976 fps
98 min
P/S N/A / N/A
1.42 GB
23.976 fps
98 min
P/S N/A / N/A

Movie Reviews

Reviewed by me-justaman 2 / 10 / 10

Big disappointment

This director acquired a large following over the years. He's got some great movies in his resume, and a couple of real turds as well. Since he switched to documentary film making, he has found his own style that stands out by a personable narration, the use of music, and a often unique and poetic point of view. I quickly checked his recent work before: it looked like he has been giving "master classes" in theaters over the US (mostly rants and criticizing the world comfortably) and making some short movies (mostly self indulgent essays with no depth). But I was looking forward to this latest "effort" as I really loved his other feature length documentaries. But this film is a complete waste of time for the viewer. Its 10 segments feel like a very first draft hastily put together and that would need tons of work and reflection before being worthy of any presentation to an audience. It made me feel like the homework of a teenager for school. It is completely vapid, lazily put together, and often insulting for your intelligence. After wasting 1h40 watching this empty balloon unfold nowhere, the title becomes so pompous and pretentious. I was left angry for wasting my attention on this. It looks like this director is now living off his followers. He maybe thinks that anything he does will be appreciated by his fans who will find him cool and "unconventional" no matter what. But this film is simply not good, and really day-TV program level. Still, many of the people who are being interviewed in the film are fascinating and beautiful. You would like to see a competent artist and thinker take on this excellent subject. So in one word: VAPID.

Reviewed by bylot_uk 7 / 10 / 10

Not Werner's best outing

This documentary promises to shed light on the history of the internet, especially the time before the invention of the World Wide Web, in 1990. What we get instead is a procession of middle aged kooks pontificating randomly on AI takeover, sun spot events and the end of the world, and the internet being embedded into walls. The framing of most of the interviews is quite flippant. Normally a WH documentary is irreverent, but fond. Here though the viewer feels like an intruder into the world of a series of out-of-step eccentrics, whom the internet had long since left behind and taken on a life of its own - this being brought painfully into view when the question "does the internet dream of itself"? is raised. It seems what was intended to be a film about the, mostly undocumented, innocent history of the pre www internet, took on a life of its own as the subjects started rambling about other things. It ended up showing only the wide-eyed naiievety of both Herzog and the interviewees, as they wandered away from their areas of expertise and into what is essentially uninformed futurology. There was a veteran "Hacker", who "hacked" into this and that, we're told. That he'd done 99% of his "hacking" by calling companies and pretending to be a manager wasn't made clear. A bizarrely posed family who'd had a picture of their daughter that had fatally crashed on a joyride in the father's Porsche published online, told us the devil was in the internet, listing some nasty things that had been emailed to them about their daughter and her death. In the same vein, an apocalyptic prediction by three fervent geeks, who think we're on the edge of a societal collapse caused by solar flares. All in all, the film misses the mark. If it had been presented a bit differently, I think it would have been a more worthwhile watch, but as it is, it comes across as nothing more than the poking of some Silicon Valley eccentrics with a stick, and seeing what they do.

Reviewed by tomgillespie2002 7 / 10 / 10

Herzog tackles the subject of the internet with both excited fascination and trepidation

With Lo and Behold, Reveries of the Connected World, director Werner Herzog continues his investigations into the nature of man and our influence on the planet. Having spent most of his earlier career exploring the nature of madness and the limits of the human mind with feature films often starring Klaus Kinski, Herzog's career of late has seen him focus primarily on documentaries, and there is perhaps no other filmmaker more naturally suited to the genre. Lo and Behold tells the story of the internet, from its humble birth in a seemingly forgotten office at UCLA, to its recent explosion and rapidly widespread use throughout the world, and Herzog tackles the subject with both excited fascination and trepidation. Herzog, as usual, plays the role of the viewer, actively participating in conversation with his interviewees. He often interrupts to confirm his understanding, or to offer his own unique philosophical musings. This may come across as distracting to anyone less than familiar with the filmmaker's output, but for us Herzog loyalists, his willingness to vocalise his own feelings or provide idiosyncratic observations throughout the documentary is precisely what makes his films such a joy. His subjects appear to instantly warm to him too, allowing them to relax and open up more, with the helmer only too happy to try and catch them off guard if they veer away from the subject. As one interviewee (who is in an internet rehab facility to cure his addiction to gaming and porn) gleefully bounds across a rickety wooden bridge to greet the camera, Herzog chuckles to himself and states that no further introduction is necessary. Although the documentary does occasionally ramble, Herzog doesn't allow his own personality to eclipse the subject at hand. He concerns himself with society's increasing detachment from one another as we spend more time in front of a computer screen, and ponders whether or not the internet can dream of itself (some of the reactions to this question are priceless). The film also explores the dark side of the net, telling the story of Nikki Catsouras, the young and beautiful girl who was killed in a horrific car accident, only for pictures of her mangled body to surface on the internet. Nikki's father soon started to receive e-mails with the pictures attached, complete with mocking messages that will make your blood boil. Lo and Behold depicts our brave new world as simultaneously exciting, beautiful and utterly terrifying, reaching as far as exploring our inevitable migration into space. It offers insight into everything from robot development, internet usage and dreams, allowing Herzog to further continue his almost alien fascination with both the beauty and horror of humanity.

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