Long Day's Journey Into Night

1962

Drama

102
Rotten Tomatoes Critics - Certified Fresh 94%
Rotten Tomatoes Audience - Upright 86%
IMDb Rating 7.6 10 4,343

Synopsis


Downloaded times
August 26, 2020

Director

Cast

Dean Stockwell as Paul Morel
Jason Robards as Jamie Tyrone
Katharine Hepburn as Jessica Medlicott
Ralph Richardson as James Tyrone
720p.BLU 1080p.BLU
1.53 GB
1280*720
English 2.0
NR
23.976 fps
174 min
P/S N/A / N/A
2.84 GB
1920×1080
English 2.0
NR
23.976 fps
174 min
P/S N/A / N/A

Movie Reviews

Reviewed by nycritic 10 / 10 / 10

Ye Who Enter Here, Abandon All Hope.

Skeletons in the closet weave the essential tapestry that ties this singular family together, drawn by the immortal Eugene O'Neill in a story that was partly drawn by his own life. The Tyrone family represent the American Family at its utmost worst: father James (Ralph Richardson is a broken man, a former theatre actor who committed a specific act of stinginess against his own family and caused its downfall; oldest son Jamie (Jason Robards) is an alcoholic who, while he loves his younger brother Edmund (Dean Stockwell) very much, can't stand his brilliance at writing; Edmund has tuberculosis and is privy to every second in which his family eats itself alive, and mother Mary (Katharine Hepburn) has fallen victim to her addiction to morphine and has a scant hold on her reality. Sidney Lumet, who has brought unto film some of the most powerful dramas screened on audiences, does magic with O'Neill's play, and while the film itself clocks in right under three hours, the intensity of this foursome's relationships with one another never makes it feel that long. All of the actors receive an equal amount of screen time, and display moments of fury and anguish and desperation under duress. Katharine Hepburn, though, lays herself bare with the gamut of emotions she conveys with her role -- forget Dorothy Parker's comment about her acting range going from A to B -- this is her most intense, frightening role, one where her pain surfaces and her own vague knowledge that she is a prisoner to her own addiction taking hold of her, more so because she can't do anything to stop herself and vehemently denies any intervention from her family. Her Mary is a walking ghost, a woman totally lost, aware but not aware. Jason Robards, an actor I've seen in more recent films, brings forth rage and self-pity to his own role as the Cain of this family: when he tells Edmund late in the film to leave because he is dangerous, one look into his eyes and we can see it. Ralph Richardson plays the father who can't help his family and seems somewhat at a loss. Stockwell's Edmund is really the innocent of the bunch, a boy who has to see the outrageous ugliness which dominates his family, who with luck, will survive it. This is a very devastating film to watch because of the slow disintegration of the central characters, and because there are so few of them and no comic relief, all we can do is watch, albeit from an intellectual distance.

Reviewed by bkoganbing 9 / 10 / 10

The Roots of Eugene O'Neill

For what Eugene O'Neill expected to be his epitaph work, he wrote Long Day's Journey Into Night in 1942 with instructions to his third wife Carlota Monterey, that it be not performed until 25 year after his death. We should have first been seeing it in 1977, but the rights reverted to Yale University and they broke the O'Neill instructions and published the play in 1956 and it made it's Broadway debut in 1957. All of the four principal members of the cast got Tony Nominations with Fredric March winning the Tony that year. Wife Florence Eldridge played the drug addicted Mary Tyrone and the sons were played by Jason Robards, Jr. and Bradford Dillman. Odd that Fredric March who certainly was a movie name was not asked to repeat his performance, but Ralph Richardson certainly fills in for him ably. Jason Robards, Jr. was the only member of the original Broadway cast to repeat his part for the screen as the drunken and whoring older brother. Younger brother Edmund the prototype for O'Neill himself is played here by Dean Stockwell. However in the only film she did between Suddenly Last Summer in 1959 and Guess Who's Coming To Dinner in 1967 was cast Katherine Hepburn as the mother who because of her drug addiction descends into madness. She got an Oscar nomination, but lost to Anne Bancroft in The Miracle Worker. O'Neill when he died was acclaimed as America's foremost dramatist and many will say he is still that today. Long Day's Journey Into Night is short on plot, but long and deep on characterization. The whole action of the play takes place in 1912 on a summer's day at the home of James Tyrone acclaimed matinée idol of a bygone era with Tyrone and his family. Eugene O'Neill wanted to show us where he came from and why he had the attitudes he did and he succeeded beyond even his own imagination. The Tyrones are the O'Neills. In more ways than one I might add. O'Neill was the family name of the Earl of Tyrone who back in Queen Elizabeth's Tudor England was the uncrowned King Of Ireland. O'Neill knew full well the rank he had attained in his own profession and was claiming literary royalty so to speak. Ralph Richardson as James Tyrone/O'Neill was an actor of great promise who got acclaim for performing as The Count of Monte Cristo in a dramatization of Alexander Dumas's novel. He took easy success and performed the play so much the public would not see him as anything else. Certainly actors try to avoid typecasting and while the play made him rich eventually the public bored of it and him. Knowing that money was not coming in, he invested frugally into real estate. Some call it frugal, some call it cheap. During the difficult birth of Eugene/Edmund, Mary Tyrone/O'Neill developed an addiction to morphine, mainly because Richardson went to a cheap quack. The American stage had not seen a descent into madness like this since Jessica Tandy in Streetcar Named Desire. Though she was nominated for this performance and won four Academy Awards for other films, this may be Katherine Hepburn's best work. It's also one of the few substantial women's roles in any of Eugene O'Neill's plays. You will not forget Hepburn in this part. Jason Robards, Jr. was older brother James Tyrone/O'Neill. He's several years older than his younger brother and there was another son who died in infancy between them. He's not got his brother's talent for writing and as an actor, he's followed his father and taken the easy road to dissipation himself. Both are carousers, but Richardson's a has been, and Robards will become a never was. The Tyrone/O'Neill family is all recorded through the perceptive eyes of Dean Stockwell. This was Eugene O'Neill's way of taking us into a dark corner of his past, he's letting us know as few humans on the planet ever did as to what made him tick. Once seen Long Day's Journey Into Night is never forgotten.

Reviewed by bross3 9 / 10 / 10

A great film adaptation

Although this film retains the feel of a stage production, this seems to heighten the tension and emphasize how amazing these performances really are. I've always felt that the play is well-suited to being filmed in black and white. The lack of color seems to bring out even more of the dreary agony that the characters are going through, as well as making the fog seem even more dismal and real. Because O'Neill's play is apparently autobiographical, the suffering is amplified intensely. This film is a fantastic drama--but because of the length (around 3 hours) and the anguish that the characters go through, you need to be sure you're in the right mood before you sit down to watch it.

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