Never Fear



IMDb Rating 6.4 10 332


Downloaded times
October 11, 2020



Hugh O'Brian as Len Randall
720p.BLU 1080p.BLU
748.6 MB
English 2.0
23.976 fps
82 min
P/S N/A / N/A
1.36 GB
English 2.0
23.976 fps
82 min
P/S N/A / N/A

Movie Reviews

Reviewed by ianlouisiana 7 / 10 / 10

Ida Lupino - auteur;or should it be auteuse?

My grandmother took me to see this film when I was 9 years old.It was at the start of the great polio scare in the U.K.The cinema was the Playhouse in Guildford situated in the Playhouse arcade,an area with rather twee shops(well,it was Guildford in 1950) and a teashop. Of course I wasn't aware that Ida Lupino had directed,co-produced and written "Never fear".For better or worse it was entirely her creature. In the movie business such power was rarely given to women. To my mind that makes her an auteur - or should that be auteuse? The one thing that stands out in my mind from that original viewing 55 years ago is that when polio struck the dancer the camera went out of focus and for years afterwards I thought that losing the focus of your eyes was a sign of the onset of polio.And they say that movies don't influence young children. In fact "never fear" has proved to be a well-made and effective movie in the genre now called rather unkindly "Disease of the Month". It's a very professional job by all concerned and if that sounds as if I am damning it with faint praise it is not the case. Anyone looking for "A woman's touch"(usually meant in a patronising and sexist way)will not find one.It stands up on it's on merits.

Reviewed by blanche-2 10 / 10 / 10

I felt a little differently

I will admit that I am not as enthusiastic about this film as others on this board. I love and admire Ida Lupino as an actress and a pioneer for women directors, and I have seen quite a bit of her directing. She always tackled difficult subjects. However, she never seemed to have much of a budget. Because of this, I assume, she couldn't afford to get really good actors. This is a powerful story, written by Lupino and her then-husband, Collier Young. It's the story of Carol (Sally Forrest), a talented young dancer, who works with Guy (Keefe Brasselle). They're not only dance partners, but they're in love as well. Carol becomes ill and it turns out that she has polio. She is moved to a facility for rehab. I was too young to know the full impact of polio; the worst of it was when I was very small. I certainly did know people who had it, and I know how frightening it was. Since no one was sure how it was contracted, I remember a woman in an AIDS documentary talking about people she knew, "good Christians" as she called them, who would leave food at the front door of a victim's family. The problem I had with this film was the acting, which I consider abominable for the most part. Sally Forrest, a pretty young woman, was misdirected in the role and comes off as unpleasant. One of course understands anger and self-pity, but she was absolutely hateful for most of the movie. And one minute she would be screaming at a fellow victim, Len (Hugh O'Brian) and then in the next scene, she'd be friendly. Keefe Brasselle could never act and, if what I know of him is correct, had the success he did thanks to mob connections. Apparently the President of CBS Television claimed he was forced by the mob to give Brasselle three TV series without a pilot or script. They all flopped and a lawsuit followed, as well as the president being ousted. Anyway, he's not very good and when he begs Carol, "Be a woman for me, I need you" as she's sitting there with polio, one wonders if she maybe needed something too, and possibly the script needed a rewrite. What is interesting is to see the therapy that polio patients had and the support and encouragement. The end of this film was very touching, demonstrating that with a few tweaks, it could have been good and a tear-jerker. Unfortunately I just couldn't warm up to Carol until close to the end. Hugh O'Brian here has an early role. He and I are from the same home town, and about 15 years ago, I interviewed him. At a Hollywood Museum opening a year ago, I saw a man in a wheelchair who looked like a mountain man -- long gray hair and gray beard -- and I said to the person I was with, I think that's Hugh O'Brian. No one believed me. I spoke with him. He was 90 then, still had all his marbles, was very funny, and completely deaf.

Reviewed by edwagreen 10 / 10 / 10


To me this was almost 1955's Interrupted Melody, the biography of Marjorie Lawrence, so well portrayed by Eleanor Parker, who at the height of her career contracted polio and fought her way back. Both that film and Never Fear concentrate on the frustrations of the affected women and their struggle to get back to life. Sally Forrest is wonderful as the budding dancer who contracts the disease. Everything she has going with her partner and love of her life, Keefe Braselle, is put on hold. In over-doing it, she falls and takes a downward spiral regarding attitude and her actions finally force the Braselle character out of her life. Lawrence Dobkin of the Untouchables on television is her understanding doctor and in a complete change of pace, Hugh O'Brian turns in a very good performance as a patient in the rehabilitation center where Carol (Forrest) goes to. She spurns him but comes to understand that he understands her plight, but how he gracefully bows out when he realizes that Braselle is the person for her. The film also emphasizes the hard and dedicated work of staff in providing therapy for polio victims.

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