On Body and Soul


Drama / Fantasy / Mystery / Romance

Rotten Tomatoes Critics - Certified Fresh 90%
Rotten Tomatoes Audience - Upright 86%
IMDb Rating 7.6 10 21,628


Downloaded times
June 12, 2020



720p.BLU 1080p.BLU
997.8 MB
Hungarian 2.0
23.976 fps
116 min
P/S N/A / N/A
1.86 GB
Hungarian 2.0
23.976 fps
116 min
P/S N/A / N/A

Movie Reviews

Reviewed by Hellmant 9 / 10 / 10

An extremely shocking, and suspenseful, romantic climax!

'ON BODY AND SOUL': Four and a Half Stars (Out of Five) A Hungarian drama which is nominated for Best Foreign Language Film at the upcoming Academy Awards. It tells the tale of two slaughterhouse workers that have been having the same dream every night, in which they meet as deer in the forest. The film was written and directed by Ildikó Enyedi, and it stars Geza Morcsanyi, Alexandra Borbely, Zoltan Schneider, Ervin Nagy and Itala Bekes. It's received nearly unanimous positive reviews from critics, and it's won multiple other prestigious awards as well. Netflix is now distributing the movie, in the US, through it's streaming site. I found it to be well made and touching. Endre (Morcsanyi) is the CFO at a slaughterhouse, which has just employed a young new quality manager named Mária (Borbely). Endre is attracted to Maria, and he tries to converse with her, but she has difficulties talking with people due to her extreme social issues (similar to autism). When there's a minor theft at work, all of the employees are interviewed by a psychologist, as part of the investigation. While they're interviewed, Endre and Mária realize they've been having the same dream every night, in which they're both deer. This creates a very odd relationship between the two. The movie is really well acted, and the characters seem very believable and real. The slaughterhouse scenes are also really realistic, and extremely disturbing (especially for a vegan like me). The romance of the film is beautiful, and oddly touching too (so are the dream sequences). I especially like that the main female character has such extreme social issues, and a freakishly good memory (these are both things that I can really relate to). There's also an extremely shocking, and suspenseful, romantic climax. It's also oddly touching and weirdly beautiful though. Overall I thought it was a really well made and effective film.

Reviewed by JvH48 9 / 10 / 10

Unusual love story in unusual setting, very well portraying two main protagonists, both not socially streetwise. Golden Bear winner at Berlinale 2017

Saw this at the Berlinale film festival 2017, where it was part of the official Competition. Possibly a spoiler but no secret anymore: It won the Golden Bear for best film. Unusual love story in an even more unusual setting, namely a slaughterhouse. The two main protagonists, the financial director and a newly appointed quality controller, are both not socially streetwise. Their personalities with their deviancies are very well portrayed, letting them stand out from cardboard characters that appear in some (other) love stories. The movie opens in a forest where we see one male and one female deer, watching each other from a distance. At later moments, we see variations of the same scene. But before we think this is some form of running gag, we get the reason why it is important and why it is repeated with small variations. It comes to light as a side effect of a psychological screening of all personnel working in the slaughterhouse, that the two main protagonists have identical dreams at night with said two deer in a forest. Initially, they both consider it unbelievable. And the resident psychologist even assumes that she is the victim of a practical joke, and does not believe it either. Their disbelief ends when they compare notes, and observe the similarities as well as the progress in the dreams, in hindsight easy to be derived from our knowledge what to look for as the couple grows closer together in cautious steps. All in all, the screenplay demonstrates very well how the two main protagonists get attracted to each other, and how the rest of the slaughterhouse staff behaves around them. They are not exactly outcasts but not an integral part of the social structure either, so gossip and unfriendly comments are to be expected. The slow progress in their courtship is juxtaposed with the two deer in their respective dreams who come closer together in tiny steps. It is all very unusual, but one never gets the feeling that it is too far-fetched.

Reviewed by simonkuttner 9 / 10 / 10

A Masterpiece - every detail present for a reason

This film is a masterpiece, if only for the fact that every single detail is there for a reason. Nothing is left to chance (based on a few other reviews for this film, this fact seems not be clear to all reviewers - e.g., one reviewer asks why did the film have to take place in slaughterhouse?). The title says it all, Body and Soul. Endre is the Soul - throughout the film we are witness to his sensitive nature / soul toward others. Right at the beginning he says that possibly Maria is shy, he does not go downstairs to the slaughterhouse (to protect himself? only when Maria arrives does he start going down - to this cold clinical place without soul), he tells a new employee that if he cannot feel for the animals, he will go crazy, the attempts not to hurt others (apologizes profusely after looking at breasts of psychologist, and many other examples). Maria is cold, without sensitivity, and thus she can work downstairs in the slaughterhouse. To work in the slaughterhouse, you need to cut off your sensitivities / emotions, otherwise you will not cope (thus the genius of the setting). Maria has an ability to understand people from physical features, reading faces, and in the scene with the cleaner, it is emphasized what a beautiful body she has. However, her damaged soul prevents her from touch with others. She seeks this soul warmth (e.g., allowing the sun to touch her skin). Endre is physically handicapped, Maria is "soul" handicapped (there are so many examples of this in film). Toward the end we see and hear the ultimate polarity of the two characters, when both are close to death, Maria physically experiencing it and Endre experiencing it on a soul level. The beauty is that this polarity can become united.

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