Sweet Smell of Success

1957

Drama / Film-Noir

106
Rotten Tomatoes Critics - Certified Fresh 98%
Rotten Tomatoes Audience - Upright 92%
IMDb Rating 8.1 10 25,824

Synopsis


Downloaded times
March 21, 2020

Cast

Burt Lancaster as Wyatt Earp
Martin Milner as Billy Creel
Paul Frees as Sundar
Tony Curtis as Archimedes Porter
720p.BLU 1080p.BLU
886.1 MB
1280*720
English 2.0
NR
23.976 fps
96 min
P/S N/A / N/A
1.61 GB
1920×1080
English 2.0
NR
23.976 fps
96 min
P/S N/A / N/A

Movie Reviews

Reviewed by ccthemovieman-1 9 / 10 / 10

3 Good Reasons To Watch This Film

There are three reasons that movie fans should check this film out, if you haven't seen it yet: 1 - Outstanding dialog. I can't recall a film in which I heard so many clever film-noir lines as this one. Almost everyone in the movie has a unique way of expressing their feelings. It makes the movie one that you want to go back and HEAR again. Clifford Odets and Ernest Lehman wrote the screenplay and deserve special recognition as well as the people below. 2 - Fabulous acting, led by the two male leads: Tony Curtis and Burt Lancaster. Curtis is the star of the film with many more lines than anyone else, and many consider this to be his greatest acting achievement. I have no quarrel with that. It's one of the finest acting jobs I've ever witnessed by anyone. It's that good. Lancaster is memorable and plays to his strengths as a tough guy, not only with his physical presence but his tactless and cutting verbal assaults. He has the best and most brutal lines in the film. The minor characters in here, from the cop to the comedian to the cigarette girl to the young romantic couple are all top-notch. 3 - The cinematography. A big name in the film business, James Wong Howe, more than lives up to his reputation. This is beautifully photographed and looks absolutely stunning on DVD. I have watched hundreds and hundreds of black-and-white films and this ranks with the best of them. He captured nighttime New York City as well as anybody ever has done. "Well," you might ask, "if this movie is so great, why haven't I heard more about it?" Maybe because it never did well at the box office. It wasn't promoted a lot, from what I heard, and the storyline is not a pleasant one. Basically, this is about two immoral people who smear a nice guy so that it will ruin the romance between he and Lancaster's sister. Lancaster plays an absolutely ruthless newspaper columnist who makes and breaks careers and Curtis plays his slimy press-agent who will do anything to please his powerful boss, including doing the worst of his dirty work. Furrther details of the film can be read by many of the other fine reviewers here on this website, so no need to go into that. I am not one who generally likes films that feature mostly nasty people but this was done so well that it fascinates me every time. A final tip of the hat to director Alexander Mackendrick. Why he wasn't given more films to direct is a mystery to me. Highly-recommended.

Reviewed by twm-2 10 / 10 / 10

Brilliantly Oppressive Film-Noir

**MILD SPOILERS** It is amazing the number of different ways a great film can weave its alluring web and pull you into its story. Of my 100 favorite films, this one's journey into that rarefied status is unique, based on but a single viewing. I saw "Sweet Smell of Success" when I was too young to really grasp the subterranean motivations of the characters who so vividly populate the film. I did not understand, for instance, why this powerful, loathsome gossip columnist, Burt Lancaster's JJ Hunsecker, who so clearly despised Tony Curtis' Sidney Falco (press agent), nonetheless tolerated his presence. There was much that I DID appreciate--the brilliant and daring acting of the two leads, the beautifully oppressive cinematography, and the scintillating dialogue--but after that single viewing, the film slowly faded from my consciousness. Twenty-five or 30 years later, I decided to make a list of my favorite movies, and came across the title of this film. Apparently, memories of seeing this production had been roiling around my unconscious all this time and now, triggered by the little blurb in the Leonard Maltin book, these half-forgotten images came bounding back into mind, now concatenated with a quarter century of life and movie-going experience. Honing my list over the next few months, and considering this film's merits, I more and more began to realize what a truly marvelous work this was. This was a study nonpareil of two creatures wholly wrapped up in themselves and their ambition, yet bound together in a mutual parasitism (the term symbiosis sounds much too nice to describe their relationship). I understood, finally, why JJ tolerated Falco's presence. He NEEDED Falco. It wasn't just that Falco would occasionally offer up tidbits that he could use in his column. It wasn't that the fawning Falco could be manipulated into performing certain . . . uh, tasks that were too dirty for JJ to touch. No, as a ruthless power-monger, he needed the treacherous sycophant as a constant reminder and test of his superiority. Falco could be demeaned and ridiculed, but he also represented a danger, a challenge. Falco might seem a toady, but he was also a cobra waiting his chance to strike, and Hunsecker relished his role as sadistic snake charmer. Watching these two play at their oppressive games of perfidy, and dealing dirt, provide a fascinating character study perhaps the equal of the more famous examination of one Charles Foster Kane in an earlier film. There are many other characters in the movie, such as JJ's sister and her lover, and some are played with great aplomb, but they are all pawns in this disdainful dance between JJ and Falco, and it is their personalities that stay with you long after the lights come back on. Everything about this movie seems to be nearly perfect (some have criticised the film for the relatively weak portrayal of the two hapless lovers, but a stronger emphasis on these two would only detract from the real focus--JJ and Sidney) even to the choice of names. JJ Hunsecker and Sidney Falco seem perfect monikers, by themselves conjuring up images of loathsome characters. Unfortunately, for the team that put together this masterpiece of film-noir, "Sweet Smell of Success" was no success, and critics and movie-goers alike left the theaters convinced that the "smell" generated by the film was far from sweet. Amazingly, this film not only failed to garner an Oscar, it failed to receive a single solitary nomination--not for Alexander Mackendrick's direction (this abject failure truncating his promising career), not for the incisive, endlessly quotable screenplay (Ernest Lehman & Clifford Odets), not Elmer Bernstein's wonderful score, nor the tremendous performances of Curtis and Lancaster--not even James Wong Howe's gritty cinematography, beautifully capturing the seamier side of New York City. Fortunately, history has stepped in to provide a more accurate critique of this once ignored masterpiece. I can hardly wait to see it a second time.

Reviewed by bkoganbing 10 / 10 / 10

"You want information, ask for it like a man, instead of scratching for it like a dog."

The fact that in 1957 this film was made at all is proof that Walter Winchell's decline was already setting in. Burt Lancaster's J.J. Hunsecker based on Winchell and very frightening accurately portrays the columnist and the power he wielded. For those who are interested in how Winchell got to where he was J.J. Hunsecker I would recommend Neal Gabler's biography of him which came out a few years ago. Sweet Smell of Success is the story of a day in the life of this monster who everyone on the planet it seems is terrified of offending. Like Winchell at the Stork Club, Hunsecker holds court like some monarch at a nightclub where people are obsequiously asking for some recognition in his column. One of these is Sidney Falco, press agent and bootlicking dog extraordinaire. Hunsecker is mad at him because he sent him on an errand to break up a romance his younger sister is having with a jazz musician he doesn't approve of. The film is essentially Falco's attempts to carry out his master's wishes. Burt Lancaster had already received critical acclaim as an actor, but this was a breakthrough role for Tony Curtis as Sidney Falco. Up to then Curtis was the handsome romantic lead in many lightweight films for his home studio of Universal. Sidney Falco was a lot of things, but heroic wasn't one of them. Next year Tony Curtis would get an Oscar nomination for The Defiant Ones. How Lancaster and Curtis were ignored by the Academy for nominations is beyond me. The young lovers are Susan Harrison and Martin Milner. This was probably Marty Milner's finest screen role. As Lancaster was also the producer he personally cast Milner in the part having worked with him on Gunfight at the OK Corral. Susan Harrison strangely enough never had much of a career after a promising debut. She ultimately wreaks a terrible vengeance on one of our protagonists. One of the ironic lines in the film is Lancaster saying that he'd fold up if he had to exist on a press agent's tidbits. But ironically that's how Winchell/Hunsecker did exist. Winchell had no real skill as a reporter as Gabler's biography pointed out. When the tidbits stopped, he dried up and blew away. Sweet Smell of Success was a commercial flop, movie audiences did not take to the offbeat casting of the leads nor to the gritty realistic story. Today the film is a deserved classic.

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