The Black Tent

1956

Drama / Romance / War

150
IMDb Rating 5.2 10 294

Synopsis


Downloaded times
October 12, 2020

Cast

André Morell as Sheik Salem ben Yussef
Michael Craig as Sheik Faris
720p.BLU 1080p.BLU
851.7 MB
1280*720
English 2.0
NR
23.976 fps
83 min
P/S N/A / N/A
1.54 GB
1920×1080
English 2.0
NR
23.976 fps
83 min
P/S N/A / N/A

Movie Reviews

Reviewed by robin-moss2 5 / 10 / 10

Mildly entertaining, visually splendid, but it could have been much better.

"The Black Tent" was made several years before "Lawrence Of Arabia." Had it been made ten years later, it would have been accused of plagiarism. Instead it can be said in some respects to anticipate "Lawrence of Arabia". After The Second World War, the heir to an extensive British country estate complete with enormous house and agricultural land travels to Libya to learn what happened to his brother. With one Arab to guide him, he journeys by camel across the vast deserts to talk with a tribal chief - as also happened in "Lawrence". After various delays, he is given his brother's diary and learns the truth. During the war, his brother had become detached from his regiment and had been the sole Briton amongst Arabs - as was the case in "Lawrence Of Arabia" He had led Arab fighters in ambushes on enemy patrols - as also happened in "Lawrence Of Arabia". The brother had married the daughter of the tribal chief, and eventually had been killed in action against German soldiers. Again like "Lawrence Of Arabia" the cinematography - here in VistaVision and Technicolor - shows the vastness of the desert and makes it strangely beautiful. Unlike "Lawrence Of Arabia" "The Black Tent" had a journeyman director, and was made with little attention to detail or realism. All the Arabs speak English fluently and with Received Pronunciation! Even more ludicrously, the younger brother travels across the desert by camel wearing a suit and tie and city shoes! He does not even break into a sweat! More seriously, there is no tension in the movie. The action sequences are unimaginatively staged, and scenes where suspense should be agonising - such as when Germans enter the Arab camp and discover the British soldier's gun or when German soldiers visit an ancient ruin and take photographs of themselves within a few yards of the fugitive British soldier - are entirely free of tension. "The Black Tent" is mildly entertaining and is certainly visually splendid, but it could and should have been much better.

Reviewed by clanciai 6 / 10 / 10

Lawrence of Libya, or love among the ruins between Tobruk and El Alamein

Brian Desmond Hurst made many great films but was not much of a director. He often took care of immensely great and interesting stories with great action and fascinating intrigue and had a knack for getting outstanding music to them as well, but his films are annoyingly impersonal, as if he didn't care about the actors but just focused on getting it all done and the story told. This is one of those films, typical of him, telling a great story, featuring characters of considerable interest, but coming out with only a very conventional and almost expressionless product. He just couldn't dramatize. There are many other assets to this film, though, like the photography with the epic and extremely romantic environment, the most romantic scenes taking place in the ruins of an ancient amphitheatre, the most spectacular part of the film, and dwelling long on a very comprehensive Libyan wedding among the bedouins. We don't have many films from Libya, this is from long before the days of Khadaffi and Isis and all that jazz, and what you are shown is a paradise among the bedouins in the shadow of the dramatic turnings of the second world war by Tobruk and El Alamein. What especially lifts this film is the splendid music by William Alwyn adding another dimension of colours to the already resplendently colourful film, enhancing especially the romantic scenes with that extra touch which the actors and dialogue are not able to provide. The script is by Bryan Forbes together with the author of the novel, Robin Maugham, and there is nothing wrong with the script, the saga being so humanly interesting as it is, but such a tale could have been made so much more of. It's the stuff of Lawrence of Arabia, Rudolf Valentino's sheiks and even of Charlton Heston's Moses in the desert. Of course you come to think of Hurst's other films, like "Dangerous Moonlight" (with the Warsaw Concerto), "Simba" (of Mau-Mau in Kenya), the Malta Story with Alec Guinness, Hungry Hill and The Lion has Wings, and they all suffer from the same thing: great stories, but crippled by lack of flesh to the bones, as if the director thought the actors were of secondary importance to the epic. Nevertheless, it's definitely worth giving a chance, for its exotic settings, its great story (with a surprisingly apt end), its splendidly coloured desert environments, its romance among the ruins, and its very vivid music, the most alive part of the film.

Reviewed by MartinHafer 6 / 10 / 10

An interesting idea, though its execution is a bit slow and dull.

"The Black Tent" begins with a man in Britain being told that his brother, the heir to the family fortune, MIGHT still be alive in North Africa--over a decade after he was assumed to have died fighting in WWII. However, when he tracks down the Bedoins who sheltered and healed him during the war, they deny having any other knowledge of him. After he leaves, however, he finds his brother's diary--someone had stuck it in his belongings in order to let him know the truth. Most of what follows is a flashback--flashbacks where you learn that the brother was like a son to the Chief and that he even eventually married the man's daughter! But the story goes beyond that--he even organized the locals into a small guerrilla army which attacked Axis troops! What happened next? See the film. By far the best thing about this movie is the location shooting. The amazing ruins at Sabratha, Libya serve as a backdrop as is the nearby desert. However beautiful this is, however, the story itself isn't that captivating. Now it isn't because the idea is bad--it's not. But he execution seemed very plodding and flat. The writing could have been better and the actors a bit more charismatic. Still, a watchable adventure tale that is reasonably watchable.

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