The Blood on Satan's Claw



IMDb Rating 6.4 10 4,773


Downloaded times
December 28, 2020



Derrick O'Connor as Member of Mob Chasing Margaret
883.81 MB
English 2.0
23.976 fps
97 min
P/S N/A / N/A

Movie Reviews

Reviewed by fertilecelluloid 8 / 10 / 10

Almost lurid shocker

See this for Linda Hayden's sexually charged performance as Satan-loving teener Angel Blake, one of British Cinema's more memorable portrayals of pure evil in a petticoat. Possessing a WITCHFINDER GENERAL-type atmosphere, helped immeasurably by Mark Wilkinson's truly beautiful score, this tale of superstition and a Satanic contagion that exhibits itself as an ugly, hairy patch on the skin (motivating alternate title SATAN'S SKIN) is evidence of solid horror-making afoot. Patrick Wymark as the pseudo-Witchfinder anchors a mostly youthful cast who become victim to the spreading "disease". The climax is a ballsy one for director Piers Haggard (who also helmed the taut VENOM) as he dares to portray Satan himself. It's always a risk serving up a visual absolute of a universal concept, but it works surprisingly well here because Haggard knows just how much to show. As noted earlier, Linda Hayden is dynamite as the sexually provocative Angel and makes it easy to understand how many a fool would follow her to the depths of hell just for a taste of her own brand of heaven. BLOOD ON SATAN'S CLAW, an evocative title if ever there was one, accomplishes everything it sets out to do. It comes close to being delightfully lurid at times, and that's what gives it an edge. Also worthy of applause is Dick Bush's striking, atmospheric cinematography.

Reviewed by lost-in-limbo 9 / 10 / 10

Curse the day the devil came to town.

Set in a small English country town in the 17th Century a farmer unearths inhuman remains that are covered with fur. So he gets the judge of the town to view it, but the evidence has strangely disappeared. After the discovery about the skull and fuss about, weird and horrific occurrences start developing with the appearance of the devil's claw. Also some of the children of the village led by Angel are committing unspeakable terror and performing satanic rituals in a desecrated church in the woods to restore their master. Atmospheric brilliance on director Piers Haggard's part! Jeez, it was hard to shake off the powerfully foreboding and frantic awe that pierced the air. Mood is a very big key to this film's success in pulling you in with its pervasively chilling and subtle imprint. Visually, Haggard manages to create a beautifully staged period horror by capturing the times and making the most of it's brooding countryside and quiet rural life. What gave it such an embracing atmosphere was that it was mostly shot on location. The beautiful backdrop works rather well with the contrast to the devilishly acts occurring in the peaceful valley. Another thing that hit me and added more to building upon the feel, was the strikingly effective, fine tuned camera-work and the robust score that generates momentum with its unsteady vibe. Also the faintly placed sound effects really do scratch away and cause sudden chills! The classy performances are all strong from the British cast with some richly developed characters. But it's Linda Hayden (Taste the blood of Dracula) luminous performance as Angel Bleak the manipulative evil prowess who stands by the devil's right hand doing his work that makes the film very memorable. Also Patrick Wymark is exceptional as the Judge, the highly placed leader and hero of the town's folk. Maybe the film could have done with a star actor to give it an added boost, but those involved were more then perfect anyway. These provocative aspects took shape and simply completed the film. The immensely original plot manages to incorporate a whole lot things ranging from folklore tales of witchcraft and Satanism practice to sexuality involving temptation, seduction and lust. This is all done with a serious face. I wouldn't call the plot flawless, as there are many unexplained and meaningless events associated within the material, but it does inject many unexpected turns. It plays around with idea that some sort of curse has hit the town with the devil's presence sinisterly lurking beneath the cracks. Although, it's not terribly all about the devil, but on the innocence of the children, to how the devil has preyed upon them to do his bidding and that's what makes this rather eerie to the bone. Since this is kind of sexually charged in a semi-way, it does provide nudity, but it's not overly graphic when it came to the violence. The gore is low. Though, saying that it does provide some disturbing, raw and perverse images that have the force to stun. It's terrifyingly unpleasant and malevolent in small patches. Like the intense ferocity of the rape scene. Now onto the make-up. Well, the devil design stays mostly hidden in a black cloak, well that's up until the end were we get a clear shot. It's not so bad for the budget. Like so many have pointed out - the only real disappointment in my eyes was the under-whelming conclusion, after being squeezed real tight with tension it just fizzles out without a bang. Obviously there was profound talent involved, they put their heart into this low-budget production and it all came together perfectly to be highly regarded by those who've seen it. I for one agree. Highly recommended. By the way I love the original movie poster artwork for this flick. It's damn creepy!

Reviewed by ksj870 9 / 10 / 10

Haunting Gothic thriller

The Blood on Satan's Claw isn't a Hammer production--but it should be! Exhibiting many of Hammer's trademark features--the Gothic setting, a diabolic threat that lives on the border of civilization, a complex hero with touches of darkness in his character, and a beautiful temptress--The Blood on Satan's Claw was actually a Tigon effort, and one that in many ways surpassed contemporary Hammer releases. In fact, the quality of The Blood on Satan's Claw is so fine, and the thrills it induces so powerful, that one can't help wondering just why the Gothic horror picture was on its way out. Few of the slasher films that would permeate the genre in the coming years can hold a candle to this picture. The Blood on Satan's Claw is a tale of an ancient evil reborn. A farmer unwittingly plows up a strange corpse, but the alien body disappears before the local judge can investigate. Soon, terrible things begin to happen, and the local youth seem to have all gone over the edge, perhaps into witchcraft. The Judge, played to perfection by Patrick Waymark, is a flawed individual, to say the least. He is dedicated to doing the right thing, true enough, but he is also harsh, cold, haughty, and judgmental. He is also very reluctant to concede that what he considers to be superstition is at work in his village even after evil begins to manifest itself in some very conspicuous ways, and only begins to realize the truth when it is very nearly too late. The other exceptional performance in the film belongs to the lovely Linda Hayden, who the previous year had starred in Hammer's Taste the Blood of Dracula. Hayden plays the young woman who becomes the leader of the strange cult which infects most of the village youth, and it is she who orchestrates much of the terror which ensues. Her character, ironically named Angel, is a seductress of a particularly haunting power, and it's hard to conceive of any actress from that era playing the part any better. The story does move a bit slowly, but the drama unfolds with conviction and a realistic touch which many more explosive films lack. The ultimate climax, in which the villagers square off against the coven of witches and their demonic master, is perhaps a bit of a letdown in that it's over very quickly, but when the final credits roll the viewer is still left with a very satisfied feeling. Frightening and atmospheric as only a Gothic can be, The Blood on Satan's Claw is a well-acted and produced horror picture that should appeal especially to fans of Hammer productions.

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