The Brothers and Sisters of the Toda Family



IMDb Rating 7.4 10 901


Downloaded times
August 26, 2020



720p.BLU 1080p.BLU
961.54 MB
Japanese 2.0
23.976 fps
105 min
P/S N/A / N/A
1.74 GB
Japanese 2.0
23.976 fps
105 min
P/S N/A / N/A

Movie Reviews

Reviewed by fa-oy 8 / 10 / 10

Nice film!

Maybe it's not a film regarded as one of Ozu's best, but I found myself liking it. This time Ozu delves into the problems that revolve around the death of a family member and what it causes. In this case the father of a big family dies and leaves them indebted, so the family makes the hard decision to sell many of his properties to pay his debts. The other matter shown in this film is the problem a family member faces (in this case the mother and one of her daughters) when they have to ask their relatives for hospitality but they don't have a good relationship between them and have a lot of differences, which causes the mother and the daughter to switch from one place to another and never finding a good place to stay in. The film is really good on technical aspects, as usual in Ozu's films. I would not recommend this film to people that are just beginning to explore Ozu's films, I would just recommend it to those who really are fond of them and are used to his filmmaking style. My score: 8.5/10

Reviewed by boblipton 6 / 10 / 10

King Lear in Japan

When a respected businessman dies unexpectedly, his affairs turn out to be in disorder, and his sons sell off most of his goods quickly. His widow, Ayako Katsuragi, and her youngest, unmarried daughter, Mieko Takamine, become houseguests of their siblings.... but they show little filial love. Will Shin Saburi, the wastrel son, inspired by his father's death to go off to China and work hard, turn out to be this Japanese version of KING LEAR's Cordelia? Ozu hadn't completed a film in four years. When he came back to the studios to make this, his style had shifted and settled. Now, although he still hung his studies of familial relationships on sturdy plots, he had settled on what would become his postwar trademark of long, still shots from a low perspective. There's clearly a bit of wartime propaganda in the movie, telling Japanese civilians that there's endless opportunity in China to get ahead without worrying about getting into those awkward situations of losing face. Ozu would make another movie the following year, then not another until 1947.... first problems with Japanese censors, and then clearing his name with the American Occupation forces. However, here we see the mature Ozu. He was excellent. He would only get better.

Reviewed by MartinHafer 6 / 10 / 10

In many ways, much like Ozu's other films...though this one is more depressing than most.

This Yasujirô Ozu film came out just before Japan went to war with the United States. In many ways, it's very typical of any Ozu film. It uses the stationary camera set low to the ground (so the viewer is looking upward at the characters in many scenes, it has a simple plot about families and is centered on normal middle-class Japanese life. This is not a complaint but there is a sameness to Ozu's films that no other director quite achieved. When the film begins, an extended family is having a day out. When it's over, the family patriarch is happy--telling his wife how it was a perfect day and how wonderful it was to see his kids and grandkids. Only moments later, the man slumps over and soon dies. Now the family is called back for the funeral and everyone must decide what to do with their mother now that father has died. Sadly, through the course of the film you realize that the kids are all very wrapped up in their own lives and no room in their hearts for their mother. Other than the print being slightly degraded here and there, this DVD from the Criterion Collection is in pretty good shape. As for the story, I think how much you enjoy it will have a lot to do with how many Ozu films you've seen and how patient you are. The film is slow-moving (like many of his film) and the sameness of his films left me a bit bored after a while. Understand, I have probably seen at least 40 of his films. Worth seeing but certainly not among the director's best or most memorable.

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