The Dead 2: India



IMDb Rating 5.2 10 1,650


Downloaded 32,807 times
April 11, 2019



Joseph Millson as Darius
720p.BLU 1080p.BLU
758.10 MB
23.976 fps
98 min
P/S N/A / N/A
1.45 GB
23.976 fps
98 min
P/S N/A / N/A

Movie Reviews

Reviewed by ericrnolan 6 / 10 / 10

A short review of "The Dead 2: India" (2013)

At times, "The Dead 2: India" (2013), seems like a carbon copy of its predecessor three years earlier. Both "The Dead" and "The Dead 2" portray American male protagonists on a lengthy overland trek to reach a wife or girlfriend. Both were shot on location in an overseas setting. (The original took place in Africa.) And both portray a second protagonist who is a native of the country. (In this case it's a little boy portrayed by Anand Krishna Goyal. Even a curmudgeon like me has got to admit — that kid is adorable.) I liked the first movie a bit better. This one feels a little hastily put together, in terms of its script and directing. It does manage to succeed somewhat with the things that made the first film decent viewing. Its desert locations are beautifully shot, and the filmmakers bring back some of the original's slow-burn horror elements. The zombies here are usually as slow as snails — slower even than the zombies of George A. Romero's genre-defining early films. But they're also quiet, and they converge en masse when our hero lets his guard down. And the occasional appearance of a rare feisty specimen lead to some genuine jump scares. The movie also effectively employs what appears to be a low-budget special effect — the monsters' eyes are of an opal-white, otherworldly color. (I'm guessing those are colored contact lenses?) The trick works, the zombies are scary, and "The Dead 2" successfully provides a kind of "creeping horror" that is rare for today's horror films. That wasn't enough, however, to rescue this movie entirely from feeling like a retread of the original. I'd describe this as an average viewing experience for a horror fan, and I'd rate it a 6 out of 10.

Reviewed by siderite 5 / 10 / 10

Bad sequel for a really ingenious zombie movie

I really loved The Dead in Africa movie, but I don't remember much of it. I finally got to see The Dead: India and it was really bad. Perhaps the original was like that, too, but I have fond memories of it. This one is badly acted, with nothing to make me empathize with any character except the little Indian child (good job, kid!). What I think really makes this unwatchable, though, is the editing. It seems like someone wanted to make a movie out of still photos and struggled to move and shake the disjointed images in some semblance of a narrative thread. Not only the horror and action scenes, but even the normal transitions felt like someone slapped them on, with no care on how they would look. I really hope the Fords wake up. They vowed to never film in Africa because of their difficulties with corruption and the bad conditions there. I don't know how it was in India, but is it possible that the Africa filmed movie felt more natural because and not despite the hardships in making it?

Reviewed by Boris_Day 5 / 10 / 10

More of the same, only less so

I enjoyed The Dead, which was an excellent old school zombie film fitting perfectly into the George A. Romero "Dead" universe. Many zombie films now are more action orientated, but The Dead had a haunting, even lyrical quality and it was beautifully shot and scored. It reminded me of survival adventure films I grew up with, like The Naked Prey and even Nic Roeg's Walkabout. In this sequel the zombie plague spreads from Africa to India and we follow a new main character, who is strikingly similar to the lead in the first film. Some of the virtues of the first film are still evident here. The cinematography is beautiful taking in some stunning landscapes, the score is great and there is an emphasis on atmosphere similar to the original. Unfortunately the second film contrives much more of a human drama and that's where the sequel becomes problematic. The hero has to rescue his pregnant Indian girlfriend, who comes complete with a traditional, disapproving father and neither the writing nor the acting are up to the challenge. The film lapses into melodramatic cliché and inadvertent comedy every time we spend time with the female lead and her family in Mumbai. Both "The Dead" films cast mostly non-actors. In an ideal case this can lend characters a sense of authenticity but here results in some awkward performances. In the first film the necessary alliance between the the engineer and the soldier was understated and not a lot of emoting was required. Here the lead actress looks uncomfortably out of her depth and her character lacks any qualities that would make us understand why our hero would be traveling 300 miles across the country to save her. To be fair, the actress tries hard but she isn't given much to do apart from crying and screaming. Instead of the dignified, stoic soldier of the first film, here the hero gets a cute orphan right out of Indiana Jones and Temple of Doom as a sidekick. By not having a local character fighting next to him, the sight of a white character killing his way through hordes of brown skinned zombies becomes uncomfortable to watch. On top of these problems, this is a film where characters do unbelievably stupid things in situations where they are surrounded by zombies to repeatedly get themselves into danger. And these folks never seem to learn from their mistakes. Twice the lead talks to his girlfriend about something confidential on the phone and twice her father snatches the mobile from her mid-conversation to overhear something not meant for him, which then sets him off shouting at her paramour. By the second time this almost comes to qualify as a running gag. On the up side there are a few tense sequences and some decent set pieces. The non-computer enhanced gore is plentiful and inventive, which still makes this worth watching for zombie fans but every time the film takes us back to Mumbai for the ensuing family histrionics, the film stops dead for some eye-rolling Bollywood melodrama. At least it spares us a musical number.

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