The Gleaners & I



IMDb Rating 7.7 10 5,781


Downloaded times
October 12, 2020



720p.BLU 1080p.BLU
757.39 MB
French 2.0
23.976 fps
82 min
P/S N/A / N/A
1.37 GB
French 2.0
23.976 fps
82 min
P/S N/A / N/A

Movie Reviews

Reviewed by utzutzutz 8 / 10 / 10

another thought-provoking, humanistic beauty from Agnes Varda

You may remember director Agnès Varda from her 1986 film, VAGABOND. But over the last five decades, the `grandmother of French New Wave' has completed 29 other works, most showing her affection, bemusement, outrage, and wide-ranging curiosity for humanity. Varda's most recent effort-the first filmed with a digital videocamera-focuses on gleaners, those who gather the spoils left after a harvest, as well as those who mine the trash. Some completely exist on the leavings; others turn them into art, exercise their ethics, or simply have fun. The director likens gleaning to her own profession-that of collecting images, stories, fragments of sound, light, and color. In this hybrid of documentary and reflection, Varda raises a number of philosophical questions. Has the bottom line replaced our concern with others' well-being, even on the most essential level of food? What happens to those who opt out of our consumerist society? And even, What constitutes--or reconstitutes--art? Along this road trip, she interviews plenty of French characters. We meet a man who has survived almost completely on trash for 15 years. Though he has a job and other trappings, for him it is `a matter of ethics.' Another, who holds a master's degree in biology, sells newspapers and lives in a homeless shelter, scavenges food from market, and spends his nights teaching African immigrants to read and write. Varda is an old hippie, and her sympathies clearly lie with such characters who choose to live off the grid. She takes our frenetically consuming society to task and suggests that learning how to live more simply is vital to our survival. At times we can almost visualize her clucking and wagging her finger-a tad heavy-handedly advancing her agenda. However, the sheer waste of 25 tons of food at a clip is legitimately something to cluck about. And it is her very willingness to make direct statements and NOT sit on the fence that Varda fans most enjoy, knowing that her indignation is deeply rooted in her love of humanity. The director interjects her playful humor as well-though it's subtle, French humor that differs widely from that of, say, Tom Green. Take the judge in full robes who stands in a cabbage field citing the legality of gleaning chapter and verse. Quirky and exuberant, Varda, 72, is at an age where she's more concerned with having fun with her craft than impressing anyone. With her handheld digital toy, she pans around her house and pauses to appreciate a patch of ceiling mold. When she later forgets to turn off her camera, she films `the dance of the lens cap.' One of the picture's undercurrents is the cycle of life-growth, harvest, decay. She often films her wrinkled hands and speaks directly about her aging process, suggesting that her own mortality is much on her mind. The gleaners pluck the fruits before their decay, as Varda lives life to the fullest, defying the inevitability of death. Toward the movie's end, she salvages a Lucite clock with no hands. As she films her face passing behind it, she notes, `A clock with no hands is my kind of thing.' If you'd be the first to grab a heart-shaped potato from the harvest, or make a pile of discarded dolls into a totem pole, THE GLEANERS is probably your kind of thing.

Reviewed by dmaxl 9 / 10 / 10

A great film maker examines the role of the artist in society

This film is a feast for anyone who loves film, photography or art in general. Agnes Varda takes the viewer along on a very personal exploration about what it means to be an artist. To glean means to gather whatever crops have been left in the field after a harvest and the film is on one level a straight documentary about gleaners in France, exploring the various reasons why they glean - survival, to feed the poor, for fun. But gleaning is revealed to be an apt metaphor for the process of making art, and so, perhaps on a deeper level, Varda is examining her role as a film maker, a "gleaner" of images and life moments. Regardless of why you might watch this film, I recommend it for the playfulness and beauty of the photography, and the complex and personal depth of Varda's narrative.

Reviewed by theoscillator_13 9 / 10 / 10

One of the best docs I've ever seen!

Yeah, it was that good. I was introduced to the French New Wave when I was in college and I was instantly a fan. Of course I loved Godard and Truffaut but I was also a always a fan of Varda's work. The one woman allowed run with "the boy's club". Even in her later years in 2000, the mark of the Nouvelle Vague was still evident in her work. Shot on video at a time when things looked like they were shot on video, this movie held true to all of the same ideals that Varda stood for 40 years earlier. There wasn't a lot of time or money spent on lighting and capturing the perfect image but what was lacking was made up for with true cinematography and framing of the shots. Visually the movie is both cheap and no frills and meticulous and artistic. But like any good documentary, Varda's vision and message trumps any superficial aspect of the film-making. The message that there is beauty in every aspect of our existence regardless of how insignificant we think it is resonates throughout the story and will stick with you long after the movie has ended.

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