The Lineup

65
Rotten Tomatoes Critics - Certified Fresh 86%
Rotten Tomatoes Audience - Upright 84%
IMDb Rating 7.3 10 2,850

Synopsis


Downloaded times
February 27, 2021

Director

Cast

Eli Wallach as Vince Marlowe
Mary LaRoche as Dorothy Bradshaw
Raymond Bailey as Doctor Thomas Silver
Richard Jaeckel as Arthur Scott
720p.BLU 1080p.BLU
794.98 MB
1280*720
English 2.0
NR
23.976 fps
86 min
P/S N/A / N/A
1.44 GB
1920×1080
English 2.0
NR
23.976 fps
86 min
P/S N/A / N/A

Movie Reviews

Reviewed by JohnSeal 7 / 10 / 10

Terrific crime drama with great location work

Lots of films have been shot in San Francisco, but few present as many views of the City By the Bay as this one. Here's what we see: Pier 41 and the Embarcadero, Coit Tower, The Ferry Building, The Cliff House, Sutro's Baths (after the closure of the swimming baths in 1954, but during the heyday of the skating rink that took one of the bath's place until 1966--this is probably the only motion picture featuring this rare sight), lots of neighbourhoods, and--to top it all off--a car chase on the then under construction Embarcadero Freeway (since torn down due to earthquake hazard)! Add in a truly exciting and relatively believable story of drug smuggling--certainly cutting edge stuff in 1958--and you have a great little film. Of particular note is Robert Keith (the sheriff in 1954's The Wild One) as one of the twisted criminals. Whenever co-villain Eli Wallach kills someone, Keith writes down the victim's 'final words' in his little black book. And in the some things never change department, Oakland's Lake Merritt is cited as the location of a taxi theft by one of the film's numerous junkies.

Reviewed by mattbcoach 9 / 10 / 10

A Gem in the Rough...

I was relaxing in my easy chair when I saw this film pop up on one of the mystery cable channels. I was very surprised and pleased at what I saw. First of all, the comments made about this film having great views of San Francisco are 100% true. I love "noir" films that set a city mood, and this was probably the best film that ever set a "San Francisco mood" with the possible exception of Dirty Harry. A friend of mine lived near the Cliff House and seeing Seal Rock Road and the Sutro Museum (used to be the Sutro Baths) was just incredible. Its just a hole in the ground now. Pier 39, now an over-sized shopping mall, was great to see as well when it was an actual shipping pier. And the movie itself was quite good. Eli Wallach played a sadistic, yet somewhat complex criminal who had no morals and yet showed flashes of compassion. Brian Keith's Father Robert played his mentor with excellence and style. This film was no high budget spectacular but more then made up for it with Siegel's excellent direction and great location scenes. I immediately went online to IMDb to try and buy the VHS or DVD but imagine my surprise when I saw it wasn't available! CMON, LETS SEE THIS ONE COME ONTO DVD!!!!

Reviewed by Squonkamatic 9 / 10 / 10

One Of The Great "Square" Movies Of All Times

Finally treated myself to the Columbia Pictures Noir Classics box set featuring THE LINEUP, one of the pivotal movies I saw as a child that burned into the memory cells to the point of trauma. The story goes that me and my eight or nine year old brothers were left in the care of a babysitter who permitted us to watch something other than the "sports, PBS, or nothing" mandate which comprised TV viewing choices in our household. We *lived* to abuse the rule and babysitters were easy pickings for unauthorized TV. She never returned to sit with us again once my dad found out what she'd let us watch, God bless her. We had no idea what we were seeing and at first it didn't seem any different than maybe "Dragnet" -- Cops and robbers, with old looking cars & hats, as ordinary as it gets. But by the time the bad guys were menacing the little girl over powdering her doll with the stuff hidden inside of it we were hysterical, and the old dude in the wheelchair getting pushed to his death shoved me over the top right along with him. I remember my younger brother trying to reassure me that it was all make-believe but by the end of the movie I was history, and one thing was for sure: I never forgot the experience even if I didn't catch its name. I was 8 and didn't know movies had names until STAR WARS. Tried in vain to figure out what the movie was titled for years ("the gangster movie with the guy in the wheelchair" didn't get me very far with video store clerks) until stumbling upon a description of Eli Wallach's "Dancer" character on a bio writeup for him. Knew it was the movie instantly and am rewarded to find the shock sequences just as brutal and potentially disturbing as they were 35 years ago. I doubt the movie was even cut for the TV screening we caught as it was the images of people falling to horrible deaths that did me in. Have always had a fear of heights and here may be a component of how it began. As for the movie itself it's not so much a "film noir" potboiler as it is half a dry police procedural about noble San Francisco homicide cops on the trail of a vicious gangland killer. Marvelously square and by the book. But mixed in with it and eventually wresting control of the narrative is one of the most fascinating studies in psychopathic behavior to find its way on screen. Eli Wallach's killer is easily as frightening as Andy Robinson would later be in director Don Siegel's masterpiece DIRTY HARRY, though for different reasons. One reason is that unlike Robinson's "Killer" we actually have a chance to sort of get to know & maybe even like Dancer. With shades of Wallach's later equally psycho Tuco character from THE GOOD THE BAD AND THE UGLY surfacing in the steam room when he asks a thug who tried to cross him "You think that'll cover it?" Richard Jaeckel also comes to life as a "Wheel Man" (great 50's cop movie lingo + cheezy hood names all over this baby) who is just as crazy & promises to get them out of 'Frisco after the heat drops its net. The film also bears an eyebrow raising similarity to another great San Francisco cop movie, BULLITT, including the dry police procedural of tracking an unknown mob connected killer, travelogue tourist footage of 'Frisco contrasted with the dingy drab tenement rooms its characters inhabit, and both films climaxing with riveting car chases along the scenic routes showing off the city at its most unromantic & frenzied light. I didn't even mind the rear projection screen footage and by golly found myself rooting for these maniacs to actually get away. You will too. Maybe because they were more interesting than the cops who are as square (there's that word again!), by the book and incorruptible as saints to the point of satire. Even though Dancer was a psychopath and a spree killer run amok he wasn't a greedy guy. Had his set of rules & played by them, and as long as you didn't get in his way or try to cross him he could be charming for a few minutes. Then he'd waste you because that was his job, he was good at it, and even enjoyed it. No hard feelings? 9/10

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