The Mustang



IMDb Rating 7.3 10 961


Downloaded 41,612 times
June 8, 2019


Bruce Dern as Richard Smythson
Connie Britton as Gloria
Josh Stewart as Tommy
720p.WEB 1080p.WEB
819.16 MB
23.976 fps
96 min
P/S N/A / N/A
1.54 GB
23.976 fps
96 min
P/S N/A / N/A

Movie Reviews

Reviewed by ferguson-6 7 / 10 / 10

man and horse figure it out

Greetings again from the darkness. A herd of wild horses frolic and gallop and relax in the prairies that separate majestic peaks of the Sierra Nevada mountain range. Suddenly the peace being enjoyed by the horses is interrupted by the deafening noise of a helicopter above. The purpose of the helicopter is to push the herd towards the corral and trucks that are part of the round-up. An opening title card informs us that more than 100,000 wild horses roam the U.S. countryside and the government is only able to manage a small percentage. Part of that process involves therapy for prisoners ... an obvious analogy being the two wild beings try to tame each other. When the prisoners have trained the horses, an auction is held, and many of the animals will be used in law enforcement - an irony not dwelled upon here. Roman Coleman is a guilt-riddled man. A man of short fuse and violent ways. He readily admits to the prison psychologist (Connie Britton) that "I'm not good with people." After 12 years in isolation, he's been transferred to general population and he seems pretty indifferent about it. His guilt is the type that only a split-second violent outburst can saddle one with - though we don't hear the specifics until late in the film. The psychologist assigns him to "outdoor maintenance" which is a fancy institutional term for, well, shoveling horse manure. As he observes the rehabilitation program, where the convicts train the wild mustangs under the tutelage of crusty old horse trainer Myles (Bruce Dern), Roman is drawn to the wildest of the wild ... a mustang kept in a dark stall and labeled untrainable. The parallels to Roman himself are obvious, and soon head trainer Myles and fellow convict Henry (Jason Mitchell, MUDBOUND) have invited Roman into the program. It's here where man and horse prove how similar their temperaments are - they both react with anger to most any situation. After a particularly cruel and unfortunate outburst, Roman is back to solitary confinement and studying up on horses. Writer-director Laure de Claremont-Tonnerre co-wrote the story with Mona Fastvold and Brock Norman Brock (BRONSON). It's the director's first feature film and she shows a real knack for pacing ... letting the uncomfortable scenes between man and horse breathe and play out. Speaking of uncomfortable, when Roman's pregnant daughter Martha (rising star Gideon Adlon, BLOCKERS) shows up to get his signature on a form so that she can run off with her boyfriend, the history and lack of commonality between the two is palpable. Their scenes together are excruciating. Sure this is a cliché-filled concept, but the director and especially the cast keep us glued to the screen and caring about what happens. Matthias Schoenaerts stars as Roman, and it's yet another stellar performance from the actor who exploded onto the movie screen with BULLHEAD (2011) and RUST AND BONE (2012). Since then, it's been one terrific turn after another. His physical presence and soulful eyes convey so much. He has mastered the strong silent type, but here he expertly uses body language to communicate with both the horse and the audience. The drug-dealing sub-plot appears to have been included to remind us just how dangerous a prison yard can be, but we never lose sight of the pain involved with second chances and learning to be a better person. There are some similarities to two excellent 2018 movies, LEAN ON PETE and THE RIDER, but this first time filmmaker wisely lets her talented cast do their thing, as she complements their work through cinematographer Ruben Impens' (BEAUTIFUL BOY) fabulous work up close and with expansive vistas. Robert Redford was an Executive Producer on the film, so the beauty of the area is not surprising. The film allows emotions to play out right through the final shot.

Reviewed by luciacarr 9 / 10 / 10


Such an amazing and beautiful story, Matthias was phenomenal!!!

Reviewed by ccorral419 9 / 10 / 10

Interesting story, with terrific acting make this sleeper a must see

When Robert Redford attaches himself to a film as Executive Producer, other than last years "The Old Man & the Gun," one should pay attention. Toss in yet another fine gruff performance by Bruce Durn, an Award worthy lead performance by Matthias Schoenaerts ("The Danish Girl") as convict Roman Coleman, and an equistrian rehabilitation story line that hasn't been presented in this manner before, and you've got a film viewing experience with substance. Director Laure de Clermont-Tonnerre (2015 Aspen Shortfest Special Jury Winner for "Rabbit" and 2015 Sundance NHK Award winner for "The Mustang") introduces the viewing audience to wild mustang prison rehabilitation therapy program, via the the incarceration of Roman, who has shut himself off from his daughter (nicely presented by Gideon Adlon "The Society" TV) and life outside of his 12-years in prison. While the story leads the viewer down a somewhat predictable road, Roman's conflicted and reserved journey, along with his various contentious interaction with his horse (Marcus), is hard to look away from. Schoenaerts really steps outside the usual roles he is recognized for, and for this reason his performance places him securely into higher category of actors. One of my favs, Connie Britton ("Dirty John" TV), has a cameo here that's less than stellar, but it's alway great to see her work, and Jason Mitchell (Henry) and Josh Stewart (Dan) have arrived on the actor radar. The issue with "The Mustang" is that director/writer de Clermont-Tonnerre, and fellow writers Brock Norman Brock and Mona Fastvold, present several interesting side stories (drugs, murder, life in prison) along Roman's journey that are never flushed out. Regardless, "The Mustang" will be the sleeper film you'll want to experience.

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