The Night Walker


Horror / Mystery / Thriller

IMDb Rating 6.4 10 1,703


Downloaded times
January 12, 2021



Barbara Stanwyck as Irene Trent
Lloyd Bochner as The Dream
Paul Frees as Narrator
Robert Taylor as Barry Morland
720p.BLU 1080p.BLU
788.23 MB
English 2.0
23.976 fps
86 min
P/S N/A / N/A
1.43 GB
English 2.0
23.976 fps
86 min
P/S N/A / N/A

Movie Reviews

Reviewed by phillindholm 7 / 10 / 10

Castle Chiller Saved By Its Stars

Producer/Director William Castle, famed for his low-budget shockers complete with assorted gimmicks, had by now reached his "Star Stage." He had featured Vincent Price in two of his films, and in 1964 really scored a coup when he signed Joan Crawford for "Strait- Jacket." Thanks mostly to her drawing power (she would later do "I Saw What You Did" for Castle) the film was a hit - and her publicity appearances on behalf of it didn't hurt, either. So, for his next project, Castle signed both Barbara Stanwyck and her initially reluctant ex-husband Robert Taylor to headline "The Night Walker" from a script written by "Strait-Jacket's" Robert Bloch (who also penned the book "Psycho"). In this psychological mystery melodrama, Stanwyck plays the wife of a rich, blind scientist (Hayden Rorke) who suspects her of having an affair. He hires a detective (Lloyd Bochner) to determine whether his wife is only dreaming of a lover or actually has one. Shortly thereafter, he is killed in an explosion, and his now very rich widow is plagued with nightmares in which he is pursuing her (when she's not dreaming of her mystery lover, that is). Taylor is her late husband's lawyer whom she turns to for help when her dreams begin to drive her mad. And so goes the plot... Most critics saw this as another "Horror Hag" movie, in other words, a lurid yarn featuring a Golden Age star, a cycle which began with "Whatever Happened To Baby Jane?" (with Bette Davis and Joan Crawford) and continued with "Strait-Jacket" (Crawford); "Lady In A Cage" (Olivia De havilland) and Ann Sothern) "Hush, Hush Sweet Charlotte" (Davis, De havilland and Agnes Moorehead) etc. This time around though, the still- beautiful Stanwyck was cast as a victim, rather than a villainess (as most of the veteran actresses ended up playing in these films were) and she generated a good deal of sympathy-(besides being a terrific screamer). The supporting players (Bochner, Judi Meredith, Rochelle Hudson and Marjorie Bennett) are capable and game, the production is well photographed and features a truly creepy score from the great Vic Mizzy ("The Addams Family, "The Ghost and Mr. Chicken"). Famed voice-over king Paul Frees (for some reason credited as 'Ted Durant') sets the scene beautifully with a short but effective prologue. What really makes this work, however, are the still-potent talents of Stanwyck and Taylor, both of whom are really better than the material, but give it their all nevertheless. Alas, though profit participant Stanwyck toured with Castle to promote it, "The Night Walker" was a box-office flop, and it would take "Rosemary's Baby" which Castle only produced, to put him back on top. It's still an above-average film of it's type though, and pretty scary to watch alone at night.

Reviewed by sol1218 8 / 10 / 10

When you dream you become a Night walker

Dark and spooky movie about murder and deception with a number of twists and turns to it that keeps you guessing until the very last frame. "The Night walker" is one of those films that doesn't seem to be what you at first think that it is; Something between a horror and psychological movie. The movie skillfully goes from one side of of line to the other throughout it's almost entire time on the screen until that last ten or so minutes when you really see it for what it is and it's very effective in doing it. "The Night Walker" starts out like something out of the "Twilight Zone" or "One Step Beyond" with a very good prelude about the world of dreams and how we who dream becomes "Night Walkers" in them. Howard Trent, Hayden Rorke, is a blind millionaire who's suspicious of his wife Irene, Barbara Stanwyck. Howard thinks that Irene is cheating on him but all the evidence that he has is a number of audio tape recordings he secretly recorded in her bedroom while Irene was talking in her sleep. Howard tells his friend and lawyer Barry Moreland, Robert Taylor, how he feels about his wife Barbara at the start of the movie. You somehow at first think that it's Barry who's the man who having the affair with his Irene. It's seems that the blind but very cagey and clever Howard is manipulating both Barry and his wife Irene is some kind of sub-rosa plan that he's cooking up for them. A little later after Howard got into a fight with Irene he goes into his secret room where he keeps all of his audio equipment and tapes, as Irene runs out of the house, and the room suddenly explodes with him being blown to bits to where there's nothing left of Howard but molecules and atoms. With her husband dead and Irene now all alone in the house her dreams,or better yet nightmares, become more and more pronounced and real to the point where she has to leave the house in order to keep from going insane. Moving into a room at the back of a beauty shop that she owned now instead of her dreams stopping they become even more real to the point where she can't tell the difference between fantasy and reality. Irenes conjures up this "Dream Man" Lloyd Bochner, who appears to Irene at night. The "Dream Man" is so real that when he gets her to go out with him one evening to a chapel to get married the next day when Irene was driving with Barry through the city streets Irene recognizes the places that she went with her "Dream Man"! Is Irene dreaming all this or is it real? if it is real why and who is behind all this? and even more if it's real what are the reasons for doing this? Plays like a very good whodunit with Robert Taylor and Barbara Stanwyck giving the movie the attention and class that it wouldn't have gotten if it had much less known actors in those two top roles. The ending to the movie was not at all that contrived as if the screenplay was written only for shock value. The ending tried and succeeded in tying all the loose ends together and giving the film a satisfying instead of a confusing ending.

Reviewed by EdgarST 8 / 10 / 10


I watched this film so many times in my youth that I lost the count. Maybe it was because William Castle produced it, or the handsome "dream lover", the music by Vic Mizzy, its surprise ending (which I should have known from reel one), or the happy time I was having when it was released: I was 13 years old, The Supremes had their first hits, and many stars of the past were back in action. Bette Davis, Joan Crawford, Tallulah Bankhead, and real-life sisters Olivia de Havilland and Joan Fontaine, all starred in black-and-white horror and suspense vehicles in which grand guignol reigned. In this film (written by "Psycho" author, Robert Bloch), Barbara Stanwyck is rather restrained compared to her peers, as a widow having strange dreams (in which Lloyd Bochner seduced her), with ex-husband Robert Taylor lending a hand to solve the mystery. Even knowing the ending, I still enjoyed it again and again.

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