The Red House


Drama / Film-Noir / Mystery / Thriller

Rotten Tomatoes Critics - Certified Fresh 80%
Rotten Tomatoes Audience - Upright 71%
IMDb Rating 6.9 10 2,674


Downloaded 10,908 times
April 2, 2019



Edward G. Robinson as Sam Lewis
Judith Anderson as Mrs. Ivers
Ona Munson as Mrs. Storm
Rory Calhoun as Logan Cates
720p.BLU 1080p.BLU
831.57 MB
23.976 fps
100 min
P/S N/A / N/A
1.58 GB
23.976 fps
100 min
P/S N/A / N/A

Movie Reviews

Reviewed by secragt 8 / 10 / 10

eerie and memorable

First, I saw this as a child and recall being absolutely mesmerized and terrified by the creepy music associated with the house. Upon seeing it again some months back, I was immediately brought back to childhood and felt the same strangled dread. Sometimes memories of things from youth don't hold up but in this case, RED HOUSE remains a bizarre and scary movie into adulthood. Robinson's performance is very atypical but effective. He was a far more versatile actor than most people realize. As definitive as his fatcat gangster kingpin roles were in LITTLE CAESAR, KEY LARGO and the like, he was equally believable as victims and suckers, as in movies like SCARLET STREET. It is surprising that the studio was able to slip some very sexual material by the censors into this movie; Robinson is a deeply troubled and surprisingly sympathetic "deviant" here and things are handled with relative frankness. This isn't a perfect movie (some motivational problems in particular) and i didn't plan to comment on it, but i strongly disagree with the comments of another reviewer who dismissed Robinson so I wanted to briefly opine with my dissenting opinion. One final note: besides the highly chilling music, this movie features a very haunting ending that will stay with you. This is pretty twisted stuff given the era, and despite some datedness, it's certainly worth a look for those who like their noir Gothic and haunted.

Reviewed by vitaleralphlouis 8 / 10 / 10

60 Years Later It Still Stands Tall.

Until last night I hadn't seen this movie since being 9 years old in 1947. At that time it scared the hell out of me --- particular the ice house scene, etched forever in memory -- although THE RED HOUSE is not a horror movie. Looking at it again after 60 years it's still a winner. However scary there's almost no violence, but instead it relies on the natural fright of living near a forbidden woods and the haunted RED HOUSE. The evil lies entirely in the mind of the old man (Edward G. Robinson) and the guilt from some long-ago crime. Lon McAlister plays the young man who enters the scene and other youngsters are played by Rory Calhoun and Julie London who later became stars. It's easy to understand how the dark, forbidden woods affected me as a young child; but I doubt it would be so well received by today's kids. For one thing, they don't play outside much, let alone exploring in a dark woods or haunted house. Secondly, the woods was most likely torn down. My own woods --- circa 1947 -- had a stream, a swamp, a genuine haunted house, a pig's skeleton, and a road leading to nowhere. Today it's all gone; replaced by Holy Cross Hospital, part of the Washington Beltway, 40 new houses --- paradise swallowed up by progress. Nothing remains for today's kids. The Red House is now in DVD. It's good; see it!

Reviewed by classicsoncall 8 / 10 / 10

"There's a curse on those woods..."

I had forgotten what a satisfying little thriller this was from watching it a couple of years ago. The story builds suspense in the first half by slowly revealing the mystery of it's title, with scene after scene adding dimension to what will eventually be revealed as Pete Morgan's fifteen year long nightmare. As Morgan, Edward G. Robinson brings some of the subtler aspects of his acting side to the story, at least in the early going when he's a warm and caring guardian to adopted daughter Meg. Later he dissolves into paranoia, until virtually reliving the events of that earlier time when he accidentally killed his lover, the basis for his forced life of seclusion. When you watch the film again, take note of the scene when Robinson's character lights the candle upon first entering the Red House, there's a great transformation shot that makes him fifteen years younger, erasing the creases in his forehead as he remembers the house 'just as it was'. That was just a great creative subtlety that worked amazingly well to establish Morgan's mental state. The film also works for the excellent characterizations of Judith Anderson as Pete's devoted sister Ellen, and Allene Roberts as their adopted daughter Meg. Meg becomes involved in a romantic triangle of sorts when she begins to fall for Nath Storm (Lon McCallister), who in the early story is going steady with the local glamor girl Tibby Renton (Julie London). You know, if you take a look at London's film credits, she sure does show up in the oddest places, like a jungle woman in her very first picture, 1944's "Nabonga". Here, director Delmer Daves does his best to zoom in on repeated long glamor poses of both London and rival Roberts in close-ups that resemble screen tests. There's even a couple featuring Rory Calhoun's rugged good looks, even though he turns out to be a villain of the piece; an oddly well selected choice for the role he has. Here's a puzzler - how did Nath know there was rifle in the closet? And still a bigger puzzler - How did Pete Morgan ever get away with it fifteen years ago? That was a point the film never adequately answers, even though it was mentioned that Meg's parents moved South and died in an accident to set up the adoption. Odd that no one from the town ever questioned their just disappearing and leaving a baby behind. But then again, the town seemed prone to rumor and half truths anyway, as established by the dinner scene when Nath was first hired by Morgan. Others on this board have mentioned the intense musical score, and the harrowing night time scenes in the Oxhead Woods, all of which border the film on a horror piece as well as a mystery thriller. This one is well recommended to get your hands on, even better for one of those dark, stormy nights with lightning casting a dim glow while watching. You'll begin to believe Edgar G. Robinson when he states - ' can never run away from the scream".

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