The Rules of the Game


Comedy / Drama

IMDb Rating 8 10 25,593


Downloaded times
May 29, 2020



720p.BLU 1080p.BLU
978.74 MB
French 2.0
23.976 fps
110 min
P/S N/A / N/A
1.77 GB
French 2.0
23.976 fps
110 min
P/S N/A / N/A

Movie Reviews

Reviewed by evanston_dad 9 / 10 / 10

Every Film Student Knows This One

"The Rules of the Game" is one of those movies that would be easy to be disappointed by, because it's constantly lauded as one of the greatest movies ever made, and anyone who's spent any time studying film knows that at some point you have to see this movie if you're going to consider yourself a film connoisseur. Well, it is excellent, though it's not excellent in a lot of obvious ways, and I could forgive someone for watching it and having a lukewarm reaction on a first viewing. The film is sort of reminiscent of Bergman's "Smiles of a Summer Night" (though of course Renoir's movie came first) in its use of a country estate filled with a bunch of well-to-do's and the servants waiting on them. It also put me in the mind of Evelyn Waugh's novels, as Renoir uses a thin glaze of humour to mask some bitter truths about class and social standing. There are some downright slapstick moments that feel like something out of a silent comedy, but there are also some sober moments that give the film a very serious grounding. What impressed me most was the fluidity of Renoir's direction. The camera is a constant observer, gliding through the vast house, following one character only to switch direction and follow another as he or she walks past. The viewer feels like a voyeur, and Renoir gives the impression that these characters would be behaving somewhat differently if they knew you were watching. I can't explain exactly how he does that, but the feeling comes across distinctly. Probably needs to be watched a few times for a full appreciation. In fact, I need to watch it again myself. Grade: A

Reviewed by ACitizenCalledKane 7 / 10 / 10

Everyone has their reasons.

Jean Renoir said that this was not intended to be a social commentary, and whether he truly intended it to be (he referred to it as, "An exact description of the bourgeoisie of our time.") or not, it is hard to dismiss that it hit close to home. So offended were the masses that the picture was banned. It is said that behind every joke there is truth, and whether this was intended to be a joke or not, Renoir still found truth. One could argue the director's intentions all day, but one matter that cannot be disputed is that this film is extraordinary! As a handful of French men and women converge on a château for a hunting expedition, their love affairs clash with their obligations to society's game. For instance, one cannot leave one's lover to be with another until he has confessed his adultery to her. Attempts to leave with another man's wife are particularly difficult, as well, unless the other man has a mistress of his own. These are but a few rules of the game. The old are for the old, the young are for the young. Members of one social order are forbidden to see members from another, and so on. Combine these rules with a tangled web of countless love affairs between a handful of people, and you can see the madness that erupts during the course of this movie. The parts are all played well, but it is the writing and directing of Renoir that makes the film the masterpiece that it is. Keeping all of these sordid affairs in order is an achievement in its own right, but Renoir moves his pieces all over the board like a skilled chess player, achieving his goal while never forgetting the rules of the game!

Reviewed by moore1el 7 / 10 / 10

Brilliant design, but leaves me cold

I was intrigued by a long review on this site detailing the reasons for the reviewer's dislike of the film, since I am also at a loss to understand the film's status. I can defend the film against the reviewer's comments: yes, Christine is vacuous (although also a naive stranger in a strange land, a little like Henry James's Isabel Archer), but hey, she's the Eternal Feminine, loving All Men, and None. SPOILERS: As for the ending, it's tragedy (remember The Iliad, where Patrocles borrows Achilles' armour?), and the viewer just has to accept the element of contrivance. It's not supposed to be a surprise; we're supposed to guess, and dread, what's going to happen before the characters do, so that we watch the tragedy unfold with awful inevitablity. And if we haven't gotten to know the character who dies well enough to feel any emotion over the ending, he's the Romantic Hero, rash and reckless, and his death is significant because of what he represents. But these are the problems: I intellectually understand what Renoir's characters are supposed to represent, and the archetypal significance their actions and fates are supposed to have. But maybe because they're archetypes rather than individuals, I can't feel anything for them. The movie has a beautiful design, but it just doesn't have any emotional immediacy for me (unlike contemporary Hollywood masterpieces). The plot is very similar to one of my favourite novels, "The Portrait of a Lady," but I'm drawn into that novel because the novel focuses on the heroine ("The Rules of the Game" is divided between the characters, a filmmaking style many defend for vaguely political reasons but which, in my opinion, diffuses emotion) and she is a complex, fascinating character, not a nebulous archetype. And I have to admit I'm fairly annoyed at the chauvinistic portrayal of women in so many "masterpieces" of European film (Fellini is another culprit): here we have the pert, sluttish maid, her fickle tease of a mistress, and her husband's clinging, irrational, hysterical ex-mistress. Unlike great European filmmakers like Ophuls and Dreyer, Renoir doesn't make even the slightest attempt to get inside the heads of his female characters: he doesn't necessarily judge them harshly, but he always perceives them from the outside. After 3 viewings, this movie has gotten better for me, so I'm not giving up, and maybe one day it will make an emotional impact on me. Until then, however, I'm on the outside of this movie, too: I can understand why it's supposed to be great, but I just don't care about it.

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