The Unbearable Lightness of Being


Drama / Romance

Rotten Tomatoes Critics - Certified Fresh 85%
Rotten Tomatoes Audience - Upright 84%
IMDb Rating 7.3 10 32,568


Downloaded times
June 15, 2020



Lena Olin as Simone Bark
Stellan Skarsgård as Alex Green
720p.WEB 1080p.WEB
1.55 GB
English 2.0
23.976 fps
171 min
P/S N/A / N/A
2.88 GB
English 2.0
23.976 fps
171 min
P/S N/A / N/A

Movie Reviews

Reviewed by FANatic-10 9 / 10 / 10

Memorable and beautifully done

I've not read the book this is based on, so have no way to comment on how this movie translates it. But the film itself has stayed in my mind like few others. Yes, it's very long, but the characters are so memorable that the length didn't bother me at all - I loved the time spent in their company. In particular, Juliette Binoche and Lena Olin are each astonishing in their own way. Olin is ferociously sensual and mesmerizing, while Binoche is superlatively sympathetic and sensitive. Two of the best female performances I can remember. By the end of the film I was totally wrapped up in these people's lives. This film is deeply erotic but in an intelligent and adult way that puts most other film's treatment of sex to shame. I thought it was beautifully handled by all concerned, and if I ever want to cry, I only need watch the scenes with the dog and the final scenes, both pulled off superbly.

Reviewed by dead47548 9 / 10 / 10

One of the finest works of the '80s.

Using the Prague Spring of 1968 as a backdrop, The Unbearable Lightness of Being weaves a story of three very real artists and their journey through love, sex and revolution. The film begins by introducing us to Tomas (Daniel Day-Lewis) a very charming womanizer and very intelligent, political doctor. Through all of his one night stands and emotionless sexual encounters, he only has one real lover; Sabina (Lena Olin) is a seductive, carefree artist. When Tomas gets a call to perform an operation in a spa town, he meets the woman of his dreams; Tereza (Juliette Binoche) the shy waitress who dreams of leaving her dull, unchallenging life and heading to a place with intellectuals. When Tomas heads back to Prague, she shows up at his door and they quickly move in together. This move changes his life completely. He no longer has numerous flings and one night stands, but instead only makes time for Tereza at home and Sabina on the side. When Tomas begs Sabina to provide Tereza with a job, the three embark on a journey of sexual tension, intellectual discussion and artistic wonder. However this love triangle is cut short as Soviet tanks come roaring through Czechoslovakia endangering the freedom of all three characters, who then decide to flee to Switzerland. By this time Tomas and Tereza have been long married, and Sabina meets a new man in the form of Franz (Derek de Lint) a married man who eventually leaves his wife and family for her. The danger of commitment drives Sabina away and she moves to the United States, disappearing for the entire third act of the film. It's this act that is the most interesting, as it truly examines Tomas and Tereza's tumultuous relationship. Tereza realizes that she is too dependant on him, while he could leave her at any time so she moves back to the now Soviet-controlled Prague and Tomas' love for her drives him to return there. Of course Tomas' political values, including an article he wrote criticizing the Soviet Union and 'implying' that they should all pluck their eyes out doesn't shine too well with the Soviets and they ask him to sign a letter to repudiate his article. Tomas is too proud and declines this offer, which leads to him losing his license and he has to settle to becoming a lowly window washer. But he can't hide his womanizing desires, and his infidelity drives Tereza to the same crime. Eventually her shame and the potential of her awkward lover being a Soviet who will blackmail the couple leads to the two of them moving to a rural village and living their life their together. The most beautiful and romantic elements of the film are portrayed once they move to the village. Without the temptation of infidelity and the power of political intrigue, their life becomes euphoric and simple. Tomas works in the field all day, while Tereza cooks and cleans and they are never too far away from one another. During a trip to a relatively local bar, Tomas is presented with the opportunity of an affair but quickly brings his gaze back to Tereza showing that he is finally complete with her. This blissful relationship provides overwhelming satisfaction and closure to the chaotic life they had led up to this point. Highlighting this impeccable picture are three sensational performances, a masterfully adapted screenplay full of beautiful and intriguing dialogue and quite possible the finest cinematography of the '80s. Day-Lewis perfectly encompasses the charm of Tomas with a subtle charisma that keeps my eyes glued to him every time he appears on screen. The young Juliette Binoche is adorable, shy and emotionally powerful but also plays it off very subtly. Lena Olin is overwhelmingly seductive and crafts a sense of freedom unlike any I've ever seen. These characters are all very human which means they have their fair share of flaws and the performances capture every essence of them so perfectly.

Reviewed by triangulate 9 / 10 / 10

Moves You in a Totally Different Way

A few weeks ago I decided to drive from San Diego to Michigan because my cat had died and I was depressed. On the road I listened to several books on CD, one of which was "The Unbearable Lightness of Being." The book intrigued me, partly because near the end, like me, Tomas and Tereza had to deal with a dying pet, but also because it dealt with big themes like love, sex and loyalty in a very unusual way. Along the way, almost incidentally, it shows you what life and politics were like in Czechoslovakia's "spring," before and after the Soviets moved forcibly back in the tanks. So when I got back to San Diego one of the first things I did was rent the DVD of the movie. And I wasn't disappointed. First off, I think the movie is as faithful to a book as a movie could or should be, remembering that we're dealing with two different types of media. In the commentary on the CD, for example, the screenwriter explains they decided to leave out scenes with Tereza's mother because they realized that Juliette Binoche was communicating that part of the story merely by the way she (brilliantly) portrayed the character of Tereza. Kundera's themes of lightness, heaviness, and repetition are very deep; I don't pretend to understand them completely. For me, it's enough that they intrigue, and the movie does them justice. The acting of all the principals is astounding. I never had seen Lena Olin before, and I appreciated Juliette Binoche and Daniel Day Lewis more than ever. And as much as I liked listening to the CD of the book, it did not make me cry at the end. But the movie did.

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