Three Lives and Only One Death


Comedy / Crime

IMDb Rating 6.9 10 1,186


Downloaded times
December 13, 2020



Marcello Mastroianni as Marcello Mastroianni
Melvil Poupaud as Martin
720p.BLU 1080p.BLU
1.13 GB
French 2.0
23.976 fps
123 min
P/S N/A / N/A
2.32 GB
French 2.0
23.976 fps
123 min
P/S N/A / N/A

Movie Reviews

Reviewed by MatBrewster 8 / 10 / 10

Weird and Wild

Chilean director Raul Ruiz created a weird, wild, fantastic world with Three Lives and Only One Death. Marcello Mastroianni plays four different characters in as many different stories that at first seem completely separate, but by the films end are wholly intertwined. It is beautifully, almost mystically shot, effectively using shadows, light, and computer imagery to create painted like imagery. It is a bit confusing, but wholly satisfying film. In the first story Mastroianni plays a salesman who walked out on his wife (Marisa Paredes) twenty years ago. The wife has since found another husband (Feodor Atkine) and is living a seemingly happy life. For reasons left unexplained Mastroianni suddenly decides he wants his old life back. He catches the new husband, at a Tabac and offers to pay him 1,000 francs for a hour of his time. What proceeds is an imaginative, fantastic tale of why Mastroianni has been gone for twenty years. It is far to complicated to explain here, but lets say it involves a room with moving walls and tiny fairies who prefer to eat franc bills, but will settle for newspaper. The end of the story finds Mastroianni wanting to leave the second husband in the fantastic room, while he moves back in with his wife. In the second story Mastroianni plays a successful professor who, for reasons that are all his own, become a beggar, and a rather successful one at that. He befriends a prostitute (Anna Galiena), who he later finds out isn't all she pretends to be, and whose husband (Jacques Pieiller)is something of a psychopath. In the third story a young couple (Chiara Mastroianni and Melvil Poupaud) find themselves being mysteriously supported by an unnamed friend. After months of finding 1,000 francs in their mail box each week, they learn this mysterious stranger has died and left them his mansion. The catch is they must keep on a peculiar butler (Mastroianni of course) or lose everything. The fourth story is really a means to tie all three stories together, and yes, it is weird. There is a lot going on throughout the film. It is visually stunning, complex in story, and a delight throughout. It is the type of film that really deserves a second, and third viewing to allow thoughtful absorption of the many details. In what was his second to last film before his death, Mastroianni does a masterful job playing these varied, and interesting characters. It is a film not meant for everyone. The story is a weird and complex as anything put out by David Lynch. But for the lover of cinema, there is much to appease the appetite. It is a beautiful, layered, surreal film that is a true pleasure to watch. Like this review? Go to for more.

Reviewed by gridoon 6 / 10 / 10

Surrealistic, strange, talky, flat, confusing.

Raul Ruiz has crafted a genuinely surrealistic film, dealing with such subjects as identity, time, chance and the cyclical pattern of events, but for all his camera tricks (some of which are outstanding), his storytelling is rather flat, and his characters talk too much. Ruiz asks for too much patience and too many allowances on the part of the viewer, without giving his stories the kicker that would justify them; his one big revelation was all but spoiled in pretty much every review of the film, not to mention its own title. (*1/2)

Reviewed by jotix100 6 / 10 / 10

Marcello's next to last appearance in the cinema

"Three Lives and Only One Death" directed by Raoul Ruiz, was probably a vehicle for Marcello Mastroianni. The film marked the end of the life of one of the greatest actors of all times. A giant among giants, the actor probably sensing his own death played not only one, but three different roles. There are many messages within the story, one of which seems to be pointing to the unification of the single currency not only in France, but in the countries of the European Union, something much in the news these days. The narrative consists on three stories that are interconnected. Each one shows Mr. Mastroianni at the center of the story. Mr. Ruiz showed his admiration to the surrealists masters of the genre like Luis Bunuel and his followers. As far as the narrative is concerned, the film has an absurdist character in stories that speak about everyday life, played by larger than life characters. The situations do not make sense, although there is a basic story line that is kept throughout the film. The best excuse for watching the film is to see Marcello Mastroianni in his heavily accented French having a good time playing disparate people. Others in the cast include the actor's daughter, Chiara in the third vignette playing opposite Melvil Poupaud. The first story features Feodor Atkine who meets an unexpected fatal attack. Marisa Paredes, Aurore Dombasle and Anna Galiena also appear as the three women in the main character's life.

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