No spoilers here, just the tone of this movie which is unbelievable and fake. I'm going back to good ol' Bollywood movies clear of pretension and illusions of drama. We ingested this movie during the #metoo era in 2017. It reads like a plantation story, starting with bunch of culturally illiterate hurrah henrys on a trip in India, enjoying thier 1% status. The main dude is suppose to be half Indian, but doesn't speak or understand his Indian father's language and gets this - is not even aware of basic basic basic things about rural India. So why didn't they put a regular white english boy in the role? An wack attempt to avoid any colonial 'massa' plantation comparisons. This makes for pathetic unbelievable dialog and actions, As a third world boy, I can tell you the first thing you learn to do when you visit the motherlands is to switch codes and not talk to locals like their your boy from back home. This dude also rapes the girl. It's RAPE! Some of us watching (the westerners) couldn't get their heads around this part, which it what the film is counting on (to it's targeted audience). We discussed it and it was explained that, yes today in rural traditional parts of the world women can be raped but not know it. It comes from being subservient and knowing your place (like a good plantation girl or boy). After that incident, the film bores on continuously with lines like 'I'm going to tell my father about us' (really dude? I mean really?). This could and should have stuck to the ol' British kitchen sink film formalua where upperclass twat slumps it in his father's factory by messing with the hot factory hand girl working there. Sure it's been done before but it would better than this boring unbelieveble nonsense. It did remind us of those loser English Language Tutors who go to China, Malaysia teaching and seducing traditional country girls and getting away with the kind of abuse they could never do at home until of course they get their asses kicked by her family. Now that's a story I'd like see on film.
The story of the tragic relationship between the son of a property developer and the daughter of an auto rickshaw owner.
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April 10, 2019