Drama / Romance

IMDb Rating 7.7 10 8,021


Downloaded times
May 28, 2020



720p.BLU 1080p.BLU
975.22 MB
French 2.0
23.976 fps
105 min
P/S N/A / N/A
1.77 GB
French 2.0
23.976 fps
105 min
P/S N/A / N/A

Movie Reviews

Reviewed by howard.schumann 9 / 10 / 10

Forces us to bear witness to our own humanity

Vagabond, Agnes Varda's bleak and uncompromising film about a free-spirited drifter on the road in southern France is difficult to watch yet it is filled with images that are hard to forget: dark rooms in abandoned houses, brown muddy fields, a young woman thumbing a ride in tattered clothes carrying a backpack, and, at the end, huddling under a makeshift blanket facing the frigid night. The fact about where she ends up is clear from the outset as we see her frozen body lying in a ditch and the film attempts to piece together what brought her to her sad ending. 18-year-old Mona Bergeron (Sandrine Bonnaire) is infuriating and largely unlikable, but the film does not judge her actions or lifestyle and Varda offers no explanations, psychological insights, or admonitions to society, there is just Mona - a spunky but deeply troubled young woman. On the surface she is a free spirit. She smokes a lot of cigarettes and pot, drinks cheap booze, and enjoys the company of men, but it is clear that there is a lot going on beneath - some untold story, perhaps a rejection from a member of her family or a boyfriend, an event that has instilled confusion and self-loathing, but we never find out. Like Charles in Bresson's The Devil Probably, Mona turns her anger inward without recognizing a problem, much less attempting to find its source and the film becomes one long suicide watch. Little by little we find out bits and pieces of information about Mona through interviews and recreated flashbacks but they do not add up to much. We learn that she comes from a middle class family, she has employable skills but there is no answer as to why she has dropped out of life, tuning out everything and everyone except the open road. Angry and self-righteous yet strangely passive, Mona drifts from one encounter to another without connection, commitment, or joy. She meets a college professor, a tree agronomist looking into the diseases that kill plants, a Turkish migrant worker who wants her to stay until his fellow workers reject the idea, a goat-herding intellectual who offers her a piece of land to cultivate, and a wealthy old woman who needs a companion. The reactions of the participants help us to create a picture but we learn more about the witnesses than about Mona. Each person reacts to her in a different way, and some romanticize her out of all proportion to reality. A young girl helps her fill her water bottle at the farm and later tells her parents that she wants to be free like that girl. Yolande, the maid at the old woman's estate, feels that Mona's relationship with a fellow drifter is her idea of true love. Some offer her a way out but she will have none of it. She prefers the road with its adventure and uncertainty. The farmer disappointedly says: "It's not wandering, it's withering." One of the best scenes is when she gets drunk with the old woman who knows everyone is waiting for her to die. Both have a moment of laughter but it is only a mask for world-weariness and will not hold off the night, encroaching like a thief. In a truly accomplished performance, Ms. Bonnaire creates a memorable character that forces us to bear witness to our own humanity. As one powerful moment blends into another, she forces us to see a face behind the statistics we see each day in the newspaper and to look this woman in the eye knowing that she is a part of us, perhaps the part that we would rather not see. Mona is not a person I would particularly care to meet, but I also know that she is one that I cannot ignore or ever forget.

Reviewed by nbott 10 / 10 / 10

A Great Masterpiece

There are many different reasons to watch a film. I personally enjoy casual get out the six pack of beer type movies and I appreciate sincere great film art. Vagabond is one of the greatest films I have ever seen. I was drawn into this deeply tragic tale from the very opening scene with the wonderful music and cinematography. The documentary style used as a device to tell the story of Mona was bold and very appropriate to convey the depth of the impact this person had on the other characters in the film. The acting of Ms. Bonnaire convinced me to care about this deeply troubled character and the isolated existential life she led. I personally have met in my own life people living in this way and I am always perplexed that I can not understand what is going on in that person's head. This film is and example of what makes great art. It tells a story that is universal and yet very personal. See this film. (10 out of 10).

Reviewed by hernanjp 10 / 10 / 10

A masterpiece.

A Rave! Beautifully photographed by Patrick Blossier, every shot, every frame is a delightfully balanced composition of light, color, and framing. What's more amazing still is how Varda can make such a depressing story so mesmerizing. It is a touching, enchanting story of a lost girl slowly sinking deeper and deeper into society's refuse pile. And even though from the first reel we know her fate, we have to see how it unfolds. I don't remember the last time I saw such a beautiful film. One for the film schools. A masterpiece of French neo-realism.

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